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1. |
Record Nr. |
UNINA9910455703403321 |
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Autore |
World Bank Staff |
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Titolo |
The Inspection Panel [[electronic resource] ] : Annual Report August 1, 2001 to June 30, 2002 |
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Pubbl/distr/stampa |
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Washington, DC, USA, : World Bank Publications, 2001 |
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World Bank Publications |
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Descrizione fisica |
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1 online resource (78 p.) |
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Soggetti |
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Economic development projects - Evaluation |
BUSINESS & ECONOMICS |
Development / Economic Development |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNISA996202300403316 |
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Titolo |
Consulting-specifying engineer |
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Pubbl/distr/stampa |
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[Denver, CO], : [Cahners Pub. Co.] |
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ISSN |
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Disciplina |
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Soggetti |
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Engineering |
Consulting engineers |
Web sites. |
Periodicals. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Periodico |
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Note generali |
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3. |
Record Nr. |
UNINA9910965339603321 |
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Autore |
Kuijken Barthold |
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Titolo |
The notation is not the music : reflections on early music practice and performance / / Barthold Kuijken |
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Pubbl/distr/stampa |
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Bloomington ; ; Indianapolis, : Indiana University Press, c2013 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (142 p.) |
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Collana |
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Publications of the Early Music Institute Series |
Publications of the Early Music Institute |
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Disciplina |
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Soggetti |
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Performance practice (Music) |
Music - Performance |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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The underlying philosophy -- My way toward research -- The limits of notation -- The notation, its perception, and rendering -- Outlook -- Sources of inspiration. |
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Sommario/riassunto |
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Written by a leading authority and artist of the historical transverse flute, The Notation Is Not the Music offers invaluable insight into the issues of historically informed performance and the parameters-and limitations-of notation-dependent performance. As Barthold Kuijken illustrates, performers of historical music should consider what is written on the page as a mere steppingstone for performance. Only by continual examination and reexamination of the sources to discover original intent can an early music practitioner come close to authentic performance. |
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