1.

Record Nr.

UNINA990003128100403321

Autore

Stringher, Bonaldo

Titolo

Memorie riguardanti la circolazione e il mercato monetario / Bonaldo Stringher ; a cura di Bianca Lucia Mazzei ; Introduzione di Franco Bonelli

Pubbl/distr/stampa

Torino : Utet : Edizioni di Banche e Banchieri, 1993

ISBN

88-7750-239-8

Descrizione fisica

XXVIII, 230 p. ; 23 cm

Collana

Scrittori italiani della moneta e della banca ; 7

Disciplina

J/1.6

Locazione

SES

DDCP

DECSE

Collocazione

J/1.6 STR

21-CB-719

SE107.03.33-

Lingua di pubblicazione

Italiano

Formato

Materiale a stampa

Livello bibliografico

Monografia



2.

Record Nr.

UNINA9910455519703321

Titolo

African theatre for development [[electronic resource] ] : art for self-determination / / edited by Kamal Salhi

Pubbl/distr/stampa

Exeter, : Intellect, 1998

ISBN

1-280-47742-3

9786610477425

1-84150-868-3

0-585-21890-0

Descrizione fisica

1 online resource (194 p.)

Altri autori (Persone)

SalhiKamal

Disciplina

792.096

792/.096

Soggetti

Theater and society - Africa

Community development - Africa

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references.

Nota di contenuto

Front Cover; Preliminaries; Contents; Introduction; 1: Neither 'Fixed Masterpiece' nor 'Popular Distraction': voice, transformation and encounter in Theatre for Development; 2: Product or Process: Theatre for Development in Africa; 3: Didactic Showmen: Theatre for Development in Contemporary South Africa; 4: Post-Colonial Theatre for Development in Algeria: Kateb Yacine's early experience; 5: Uses and Abuses of Theatre for Development: political struggle and development theatre in the Ethiopia - Eritrea war; 6: Satires in Theatre for Development Practice in Tanzania

7: Popular Theatre and Development Communication in West Africa: paradigms, processes and prospects8: Werewere Liking and the Development of Ritual Theatre in Cameroon: towards a new feminine theatre for Africa; 9: Women Playwrights and Performers respond to the project of development; Back Cover

Sommario/riassunto

This book acts as a forum for investigating how African Theatre works and what its place is in this postmodern society. It provides the subject with a degree of detail unmatched in previous books, reflecting a new



approach to the study of the performing arts in this region. The book provides an opportunity to discover contemporary material from experts, critics and artists from across the world. The contributions are in a language and style that allow them to be read either as aids to formal study or as elements of discussion to interest the general reader.