|
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910455461003321 |
|
|
Autore |
Clayton Jay <1951-> |
|
|
Titolo |
Charles Dickens in cyberspace : the afterlife of the nineteenth century in postmodern culture / / Jay Clayton |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
New York, New York : , : Oxford University Press, , 2003 |
|
©2003 |
|
|
|
|
|
|
|
|
|
ISBN |
|
1-280-50317-3 |
0-19-534773-0 |
1-60256-950-9 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (281 p.) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
English literature - 19th century - History and criticism - Theory, etc |
Criticism - United States - History - 20th century |
English literature - Appreciation - United States |
Electronic books. |
United States Civilization British influences |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Contents; Introduction: Dickens Browses the World Wide Web; One: The Past in the Future of Cultural Studies Crystal Palace to Millennium Dome; Two: The Voice in the Machine Hazlitt, Austen, Hardy, and James; Three: Undisciplined Cultures Peacock, Mary Somerville, and Mr. Pickwick; Four: Hacking the Nineteenth Century Babbage and Lovelace in The Difference Engine and Arcadia; Five: Concealed Circuits Frankenstein's Monster, Replicants, and Cyborgs; Six: Is Pip Postmodern? Or, Dickens at the Turn of the Millennium; Seven: Genome Time New Age Evolution, The Gold Bug Variations, and Gattaca |
Eight: Convergence of the Two Cultures A Geek's Guide Notes; Works Cited; Index |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
Charles Dickens in Cyberspace' surveys novelists, scientists, filmmakers, and theorists over two centuries, tracing circuits that connect Austen, Babbage, Darwin, Dickens, and Mary Shelley with their contemporary counterparts: Andrea Barrett, Peter Carey, Richard Powers, Salman Rushdie, Ridley Scott, Neal Stephenson, Tom Stoppard, |
|
|
|
|
| |