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Record Nr. |
UNINA9910455287103321 |
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Autore |
Murray Gabrielle |
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Titolo |
This wounded cinema, this wounded life [[electronic resource] ] : violence and utopia in the films of Sam Peckinpah / / Gabrielle Murray |
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Pubbl/distr/stampa |
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Westport, Conn., : Praeger, 2004 |
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ISBN |
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1-282-40630-2 |
9786612406300 |
0-313-02773-0 |
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Descrizione fisica |
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1 online resource (172 p.) |
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Disciplina |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes filmography: p. [131]. |
Includes bibliographical references (p. [153]-156) and index. |
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Nota di contenuto |
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Contents; Acknowledgments; Introduction; 1 This Wounded Cinema, This Wounded Life; 2 Dead to the World; 3 Deep Play: Rituals of Violence and Enchantment; 4 Persevering in Our Existence; 5 The Savage, or "Let Love In!"; Conclusion; Sam Peckinpah Filmography; Notes; Selected Bibliography; Index |
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Sommario/riassunto |
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Film scholarship has largely failed to address the complex and paradoxical nature of the films of Sam Peckinpah, focusing primarily on the violence of movies such as The Wild Bunch and Straw Dogs while ignoring the poetry and gentility of lesser-known pictures including The Ballad of Cable Hogue and Junior Bonner. Serving as a necessary corrective, Gabrielle Murray's This Wounded Cinema, This Wounded Life: Violence and Utopia in the Films of Sam Peckinpah offers a better understanding of the work of this landmark director through close readings of both his famous and less-famous works.||Placin |
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