| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA990008826320403321 |
|
|
Autore |
Holtby, Kareen L. |
|
|
Titolo |
International environmental liability and barriers to trade : market access and biodiversity in the biosafety protocol / Kareen L. Holtby, William A. Kerr, Jill E. Hobbs |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Cheltenham, UK ; Northampton, MA : Edward Elgar, c2007 |
|
|
|
|
|
|
|
ISBN |
|
978-1-84720-097-6 |
1-84720-097-4 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
xiii, 166 p. : ill. ; 24 cm |
|
|
|
|
|
|
Altri autori (Persone) |
|
Kerr, William Alexander |
Hobbs, Jill E. |
|
|
|
|
|
|
|
|
Locazione |
|
|
|
|
|
|
Collocazione |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
|
|
|
|
|
|
|
2. |
Record Nr. |
UNINA9910455279703321 |
|
|
Autore |
Mayne Judith |
|
|
Titolo |
Cinema and spectatorship / / Judith Mayne |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
London ; ; New York : , : Routledge, , 1993 |
|
|
|
|
|
|
|
ISBN |
|
1-134-96688-1 |
1-280-32824-X |
0-203-13388-9 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (198 p.) |
|
|
|
|
|
|
Collana |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Motion picture audiences |
Electronic books. |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Book Cover; Title; Contents; List of illustrations; Acknowledgements; Introduction; THE SUBJECT OF SPECTATORSHIP; SPECTATORSHIP AS INSTITUTION; SPECTATORSHIP RECONSIDERED; PARADOXES OF SPECTATORSHIP; TEXTUAL ANALYSIS AND PORTRAITS OF SPECTATORSHIP; STAR-GAZING; WHITE SPECTATORSHIP AND GENRE-MIXING; THE CRITICAL AUDIENCE; Works cited; Index |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
Cinema and Spectatorship is the first book to focus entirely on the history and role of the spectator in contemporary film studies. While 1970's film theory insisted on a distinction between the cinematic subject and film-goers, Judith Mayne suggests that a very real friction between ""subjects"" and ""viewers"" is in fact central to the study of spectatorship. In the book's first section Mayne examines three theoretical models of spectatorship: the perceptual, the institutional and the historical, while the second section focuses on case studies which crystallize many of the issue |
|
|
|
|
|
|
|
| |