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1. |
Record Nr. |
UNINA9910455241603321 |
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Autore |
Goodchild Philip <1965-> |
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Titolo |
Deleuze and Guattari [[electronic resource] ] : an introduction to the politics of desire / / Philip Goodchild |
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Pubbl/distr/stampa |
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ISBN |
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0-8039-7601-1 |
1-283-88070-9 |
1-84860-967-1 |
0-585-32996-6 |
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Descrizione fisica |
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1 online resource (239 p.) |
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Collana |
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Theory, culture & society |
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Disciplina |
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Soggetti |
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Philosophy, Modern - 20th century |
Psychology, Pathological - Etiology |
Schizophrenia - Social aspects |
Capitalism - Social aspects |
Social psychiatry |
Social sciences - Philosophy |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p.[214]-216) and index. |
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Nota di contenuto |
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Cover; Contents; Preface; Introduction: Knowledge, Power, Desire; Problem 1: What is Philosophy ?; Part 1 - Knowledge; Chapter 1 - The Emergence of Desire; Chapter 2 - The Abstract Machine; Chapter 3 - Geophilosophy; Part II - Power; Chapter 4 - Capitalism and Schizophrenia; Chapter 5 - Escaping Dominant Discourses; Chapter 6 - Against the Strata; Part III - Liberation of Desire; Chapter 7 - The Revolution of Desire; Chapter 8 - The Liberation of Work; Chapter 9 - The Society of Desire; Conclusion; References; Glossary; Index |
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Sommario/riassunto |
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Divided into three sections - knowledge, power and desire - this book provides a systematic account of the intellectual context and an exhaustive analysis of the key themes informing Deleuze and Guattari's work. |
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2. |
Record Nr. |
UNINA9910781419303321 |
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Autore |
Sklodowska Elzbieta |
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Titolo |
La parodia en la nueva novela hispanoamericana (1960-1985) [[electronic resource] /] / Elzbieta Skłodowska |
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Pubbl/distr/stampa |
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Amsterdam ; ; Philadelphia, : J. Benjamins Pub. Co., 1991 |
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ISBN |
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1-283-35866-2 |
9786613358660 |
90-272-7777-X |
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Descrizione fisica |
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1 online resource (240 p.) |
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Collana |
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Purdue University monographs in Romance languages, , 0165-8743 ; ; v. 34 |
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Disciplina |
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Soggetti |
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Spanish American fiction - 20th century - History and criticism |
Parody |
Fiction - Technique |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. [197]-212) and index. |
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Nota di contenuto |
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LA PARODIA EN LA NUEVA NOVELA HISPANOAMERICANA (1960-1985); Editorial page; Title page; Copyright page; Table of contents; Introducción; 1. En torno al concepto de parodia; 1.1. LA EVOLUCION DEL CONCEPTO DE PARODIA: UN BOSQUEJO HISTORICO; 1.2. HACIA UNA DEFINICION DE LA PARODIA LITERARIA POSTVANGUARDISTA; 1.3. LA PARODIA COMO FACTOR DE EVOLUCION LITERARIA EN LA NOVELA HISPANOAMERICANA; 2. La novela histórica revisitada: parodia y reescritura; 2.1. NOVELA: HISTORIA Y FICCION; 2.2. EL (RE)DESCUBRIMIENTO DE AMERICA: CRONICA DEL DESCUBRI-MIENTO Y LOS PERROS DEL PARAISO |
2.3. EL MUNDO ALUCINANTE: POETICA Y POLITICA DE AUTOPARODIA2.4. PEPE BOTELLAS Y LOS RELAMPAGOS DE AGOSTO: SATIRA PARODICA Y TRANSFORMACION DE LA HISTORIA; 3. Ethos ludens y la parodia total; 3.1. METAFICCION-PARODIA-JUEGO: ALGUNAS APROXIMACIONES A LA NARRATIVA AUTO-REFLEXIVA; 3.2. BAJO EL LEMA DE ""PARODIO NO POR ODIO"": TRES TRISTES TIGRES Y EL NARCISISMO TOTAL; 3.3. COMICO DE LA LENGUA Y CUADERNOS DE GOFA: ETHOS LUDENS PARODICO Y EL PLACER DEL TEXTO; 4. Del anacronismo a le scriptible: la parodia como renovación; 4.1. POSTMODERNISM, POST-BOOM, |
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PARODIA: AGOTAMIENTO Y RENOVACION |
4.2. PARODIA COMO EXORCISMO: EL BAZAR DE LOS IDIOTAS, BREVE HISTORIA DE TODAS LAS COSAS Y ENCICLOPEDIA DE LATINOAMERICANA OMNISCIENCIA4.3. LA MISTERIOSA DESAPARICION DE LA MARQUESITA DE LORIA Y GALAOR: LIMITES DE UNA REESCRITURA PARODICA; 4.4. DEL ANACRONISMO A LE SCRIPTIBLE: LA SATIRA PARODICA EN PANTALEON Y LAS VISITADORAS, EVANGELIO DE LUCAS GAVILAN Y DE DIOSES, HOMBRECITOS Y POLICIAS; 5. Transgresión paródica de la fórmula policial; 5.1. LA FORMULA POLICIAL Y SU TRAYECTORIA EN LA NARRATIVA HISPANOAMERICANA |
5.2. IBARGUENGOITIA Y GIARDINELLI: RECONOCIMIENTO Y CUESTIONA-MIENTO DE LA NOVELA NEGRA5.3. DE PASO: LA VOLUNTAD PARODICA Y EL THRILLER POLITICO; 5.4. TRISTE, SOLITARIO Y FINAL: PARODIA COMO HOMENAJE; 6. La escritura femenina: una contra-corriente paródica; 6.1. PARODIA COMO SUBVERSION: EN TORNO AL DISCURSO FEMENINO EN LA NUEVA NOVELA HISPANOAMERICANA; 6.2. HAGIOGRAFIA DE NARCISA LA BELLA: PARODIA SATIRICA COMO (AUTO)ESTRUCCION GROTESCA; 6.3. LA CASA DE LOS ESPIRITUS: PARODIA COMO REESCRITURA SIN VENGANZA; 6.4. COMO EN LA GUERRA Y LUMPERICA: OPERACION PARODICA ""COMO EN LA GUERRA"" |
ConclusionesNotas; Bibliografía; Indice alfabético |
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Sommario/riassunto |
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In this brilliant overview of parodic praxis in the Spanish-American novel during the years 1960-1985, Elzbieta SkPlodowska examines several aspects of parody: its role in the renovation of anachronistic forms of discourse (mock-epic) and the re-writing of the canon of the historical novel; its function in transgressing literary formulas (detective novel); its subversive quality in the counter-discourse of women writers; and the relation between parody, satire, irony, humor, and metafiction. This sound analysis of some twenty-five novels, carefully illustrated by works little treated in critic |
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