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1. |
Record Nr. |
UNINA9910457688903321 |
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Titolo |
Reinventing the workplace [[electronic resource] /] / edited by John Worthington |
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Pubbl/distr/stampa |
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Oxford ; ; Burlington, MA, : Architectural Press, c2006 |
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ISBN |
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1-136-36910-4 |
1-280-64200-9 |
9786610642007 |
0-08-045551-4 |
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Edizione |
[2nd ed.] |
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Descrizione fisica |
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1 online resource (318 p.) |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Architecture, Industrial |
Work environment |
Office buildings |
Architecture - Technological innovations |
Intelligent buildings |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. [279]-285) and index. |
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Nota di contenuto |
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Cover; Reinventing the Workplace Second Edition; Copyright; Contents; Foreword; Acknowledgements; Sponsors; Contributors; Introduction: the Changing Workplace; Section I Charting a Future; 1 the Logistical City; 2 New Patterns of Work: the Design of the Office; 3 Real Estate and the Future; 4 the Future Workplace, Opportunities, Realities and Myths: a Practical Approach to Creating Meaningful Environments; Section II Real Estate Dilemmas; 5 Office Cultures: International Differences in Workplace Design; 6 New Real Estate Models to Support Distributed Working |
7 Competing for the Future of Corporate Real EstateSection III the Opportunities of Information Technology; 8 from the Intelligent Building to the Distributed Workplace; 9 Technology for a New Office; Section Iv Management Responses; 10 Delivering the Operational Workplace; 11 Supporting Organisational Change; 12 Making Change |
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Work; Section V Working Solutions; 13 Emerging Building Forms and Accommodation Solutions: New Building Typologies or Distinctive Place-making; 14 Asia Pacific: a Melting Pot of Global Experience; 15 North American Office Design at the Start of the New Millennium |
16 the Dynamic Workplace: Scottish Enterprise Headquarters, GlasgowFigure Acknowledgements; References; Index |
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Sommario/riassunto |
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Incorporating a diversity of practices, cultural and organization change, and new building forms, this book provides ideas, inspiration and analysis of the multitude of ways in which an office space can be designed and utilized. Updated to cope with technological advances, as well as including a new series of case studies on recent Australian, North American and Scandinavian experiences, the contributors draw on a wealth and variety of professional experience to present the best and most innovative solutions for today's office - and tomorrow's workplace. |
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2. |
Record Nr. |
UNINA9910455055303321 |
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Autore |
Taylor George <1940-> |
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Titolo |
The French Revolution and the London stage, 1789-1805 / / George Taylor [[electronic resource]] |
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Pubbl/distr/stampa |
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Cambridge : , : Cambridge University Press, , 2000 |
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ISBN |
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1-107-11552-3 |
1-139-17596-3 |
1-283-34211-1 |
9786613342119 |
1-139-15974-7 |
1-139-15518-0 |
0-511-05094-1 |
0-511-15318-X |
0-511-01282-9 |
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Descrizione fisica |
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1 online resource (x, 263 pages) : digital, PDF file(s) |
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Disciplina |
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Soggetti |
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Theater - England - London - History - 18th century |
Theater - England - London - History - 19th century |
English drama - 18th century - History and criticism |
English drama - 19th century - History and criticism |
France History Revolution, 1789-1799 Influence |
France History Revolution, 1789-1799 Foreign public opinion, British |
France History Revolution, 1789-1799 Literature and the revolution |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from publisher's bibliographic system (viewed on 05 Oct 2015). |
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Nota di bibliografia |
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Includes bibliographical references (p. 249-256) and index. |
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Nota di contenuto |
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Cover; THE FRENCH REVOLUTION AND THE LONDON STAGE, 1789-1805; Title; Copyright; To Anna and Chris; Contents; Acknowledgements; Note on the text; Introduction; CHAPTER 1 England and France in 1789; CHAPTER 2 The Revolution; CHAPTER 3 From the Federation to the Terror; CHAPTER 4 Dramatizing (the) Terror; CHAPTER 5 Performance and performing; CHAPTER 6 The shadow of Napoleon; CHAPTER 7 Theatre and alienation; Reflections towards a conclusion; Notes; INTRODUCTION; 1 ENGLAND AND FRANCE IN 1789; 2 THE REVOLUTION; 3 FROM THE FEDERATION TO THE TERROR; 4 DRAMATIZING (THE) TERROR |
5 PERFORMANCE AND PERFORMING 6 THE SHADOW OF NAPOLEON; 7 THEATRE AND ALIENATION; REFLECTIONS TOWARDS A CONCLUSION; Bibliography; Index |
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Sommario/riassunto |
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During the French Revolution most performances on the London stage were strictly censored, but political attitudes found indirect expression. New and popular genres like pantomime, gothic drama, history plays, musical and spectacular entertainment, and, above all, melodrama provided metaphors for the hopes and fears inspired by the conflict in France and subsequent European wars. This 2001 book looks at how British drama and popular entertainment were affected by the ideas and events of the French Revolution and Napoleonic Wars. He argues that melodrama had its origins in this period, with certain gothic villains displaying qualities attributed to Robespierre and Napoleon, and that recurrent images of incarceration and dispossession reflected fears of arbitrary persecution, from the tyranny of the Bastille to the Jacobin's Reign of Terror. By a cultural analysis of the popular entertainment and theatre performances of the eighteenth and nineteenth centuries Taylor reveals issues of ideological conflict and psychological stress. |
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