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Record Nr. |
UNINA9910454836003321 |
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Autore |
Born Georgina |
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Titolo |
Western Music and Its Others [[electronic resource] ] : Difference, Representation, and Appropriation in Music |
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Pubbl/distr/stampa |
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Berkeley, : University of California Press, 2000 |
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ISBN |
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0-520-92379-0 |
1-59734-993-3 |
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Descrizione fisica |
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1 online resource (373 p.) |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Music |
Music-- 20th century-- Social aspects |
Music - Social aspects |
Music Philosophy |
Music, Dance, Drama & Film |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di contenuto |
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Preliminaries; CONTENTS; Introduction; 1. Musical Belongings: Western Music and Its Low-Other; 2. Race, Orientalism, and Distinction in the Wake of the "Yellow Peril"; 3. BartoĢk, the Gypsies, and Hybridity in Music; 4. Modernism, Deception, and Musical Others: Los Angeles circa 1940; 5. Experimental Oriental: New Music and Other Others; 6. Composing the Cantorate: Westernizing Europe's Other Within; 7. East, West, and Arabesk; 8. Scoring the Indian: Music in the Liberal Western; 9. The Poetics and Politics of Pygmy Pop; 10. International Times: Fusions, Exoticism |
11. The Discourse of World Musiccontributors; index |
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Sommario/riassunto |
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This innovative collection of articles offers a major comprehensive overview of new developments in cultural theory as applied to Western music. Addressing a broad range of primarily twentieth-century music, the authors examine two related phenomena: musical borrowings or appropriations, and how music has been used to construct, evoke, or |
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represent difference of a musical or a sociocultural kind. |
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