1.

Record Nr.

UNINA9910454835103321

Autore

Larson Jil

Titolo

Ethics and narrative in the English novel, 1880-1914 / / Jil Larson [[electronic resource]]

Pubbl/distr/stampa

Cambridge : , : Cambridge University Press, , 2001

ISBN

1-107-12205-8

0-521-12167-1

0-511-48314-7

0-511-15371-6

1-280-17782-9

0-511-11912-7

0-511-04715-0

0-511-30353-X

Descrizione fisica

1 online resource (ix, 176 pages) : digital, PDF file(s)

Disciplina

823/.809353

Soggetti

English fiction - 20th century - History and criticism

Ethics in literature

English fiction - 19th century - History and criticism

Didactic fiction, English - History and criticism

Narration (Rhetoric) - History - 19th century

Narration (Rhetoric) - History - 20th century

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

Nota di bibliografia

Includes bibliographical references (p. 165-172) and index.

Nota di contenuto

Ethics and the turn to narrative -- Victorian history and ethics: anxiety about agency at the fin-de-siècle -- Emotion, gender, and ethics in fiction by Thomas Hardy and the New Woman writers -- When hope unblooms: chance and moral luck in A Laodicean, The mayor of Castorbridge, and Tess -- Oscar Wilde and Henry James: aestheticizing ethics -- Promises, lies, and ethical agency in Joseph Conrad's Under western eyes.

Sommario/riassunto

Drawing on interdisciplinary work in the field of ethics and literature by a diverse range of thinkers, including Martha Nussbaum, Emmanuel Levinas and Paul Ricoeur, Jil Larson offers new readings of late Victorian



and turn-of-the-century British fiction, she shows how ethical concepts can transform our understanding of narratives, just as narratives make possible a valuable, contextualised moral deliberation. Focusing on novels by Thomas Hardy, Sarah Grand, Olive Schreiner, Oscar Wilde, and Henry James, Larson explores the conjunction of ethics and fin-de-siècle history and culture through a consideration of what narratives from this period tell us about emotion, reason, and gender, aestheticism, and such speech acts as promising and lying. This book will be of interest to scholars of nineteenth century and modernism, and all interested in the conjunction between narrative, ethics and literary theory.

2.

Record Nr.

UNINA9910255328303321

Autore

Dabashi Hamid

Titolo

Iran : The Rebirth of a Nation / / by Hamid Dabashi

Pubbl/distr/stampa

New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2016

ISBN

9781137587756

113758775X

Edizione

[1st ed. 2016.]

Descrizione fisica

1 online resource (XIII, 345 p. 14 illus., 13 illus. in color.)

Disciplina

327

Soggetti

International relations

Middle East - Politics and government

Politics and war

Diplomacy

Globalization

Political science

International Relations

Middle Eastern Politics

Military and Defence Studies

Political Science

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Includes index.



Nota di contenuto

Introduction: The Rebirth of a Nation -- Chapter 1 Persian Empire? -- Chapter 2 A Civil Rights Movement -- Chapter 3 A Metamorphic Movement -- Chapter 4 An Aesthetic Reason -- Chapter 5 Shi-ism at Large -- Chapter 6 Invisible Signs -- Chapter 7 A Transnational Public Sphere -- Chapter 8 Cosmopolitan Worldliness -- Chapter 9 Fragmented Signs -- Chapter 10 The End of the West -- Chapter 11 Damnatio Memoriae -- Chapter 12 Mythmaker, Mythmaker, Make Me a Myth -- Conclusion: What Time Is It?.

Sommario/riassunto

In this unprecedented book, Hamid Dabashi provides a provocative account of Iran in its current resurrection as a mighty regional power. Through a careful study of contemporary Iranian history in its political, literary, and artistic dimensions, Dabashi decouples the idea of Iran from its colonial linkage to the cliché notion of “the nation-state,” and then demonstrates how an “aesthetic intuition of transcendence” has enabled it to be re-conceived as a powerful nation. This rebirth has allowed for repressed political and cultural forces to surface, redefining the nation’s future beyond its fictive postcolonial borders and autonomous from the state apparatus that wishes but fails to rule it. Iran’s sovereignty, Dabashi argues, is inaugurated through an active and open-ended self-awareness of the nation’s history and recent political and aesthetic instantiations, as it has been sustained by successive waves of revolutionary prose, poetry, and visual and performing arts performed categorically against the censorial will of the state.