1.

Record Nr.

UNINA9910454714503321

Titolo

Evaluation of the multifunction phased array radar planning process [[electronic resource] /] / Committee on the Evaluation of the Multifunction Phased Array Radar Planning Process, Board on Atmospheric Sciences and Climate, Division on Earth and Life Studies, National Research Council of the National Academies

Pubbl/distr/stampa

Washington, D.C., : National Academies Press, c2008

ISBN

1-281-80039-2

9786611800390

0-309-12430-1

Descrizione fisica

1 online resource (92 p.)

Disciplina

621.3824

Soggetti

Phased array antennas - Evaluation

Radar - Antennas

Radar - Automatic detection

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references (p. 65-69).

Nota di contenuto

""Preface""; ""Acknowledgments""; ""Contents""; ""Summary""; ""1 Introduction""; ""2 Overview of the Current National Radar System""; ""3 Needs for the Next Generation System""; ""4 Capabilities of Phased Array Radar""; ""5 The MPAR Concept""; ""6 The MPAR Planning Process""; ""7 Evaluation of the Planning Process""; ""8 Family of Systems""; ""9 Concluding Thoughts""; ""References""; ""Appendix A STATEMENT OF TASK""; ""Appendix B ACRONYM LIST""; ""Appendix C BIOGRAPHICAL SKETCHES OF COMMITTEE MEMBERS AND STAFF""



2.

Record Nr.

UNISA996543164103316

Titolo

Restoration as Fabrication of Origins : A Material and Political History of Italian Renaissance Art / / ed. by Henri de Riedmatten, Fabio Gaffo, Mathilde Jaccard

Pubbl/distr/stampa

Berlin ; ; Boston : , : De Gruyter, , [2023]

©2023

ISBN

3-11-107273-8

Descrizione fisica

1 online resource (190 p.)

Soggetti

ART / History / Renaissance

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di contenuto

Frontmatter -- CONTENTS / TABLE DES MATIÈRES -- FOREWORD -- AVANT-PROPOS -- ON THE NOTION OF RESTORATION / DE LA NOTION DE RESTAURATION -- TRANSLATIO AND RESTAURATIO -- THE REASON OF DISTANCE -- EX UNO LAPIDE -- OF SPACES AND PLACES. D’ESPACES ET DE LIEUX -- RAFFAELE MAFFEI AND THE DISCOVERY OF AN ETRUSCAN TOMB IN 1508 -- Une poétique de l’archaïque -- TEMPS MÊLÉS -- RECENT RESTORATION PRACTICES PRATIQUES RÉCENTES DE LA RESTAURATION -- TRANSPARENCE OU OPACITÉ -- LA MISE AU TOMBEAU DE VÉRONÈSE -- A COLONIAL RENAISSANCE? UNE RENAISSANCE COLONIALE ? -- NOVA ATLANTIS -- Acknowledgments / Remerciements -- CREDITS

Sommario/riassunto

Die Publikation widmet sich den Beziehungen zwischen Restaurierung und Politik in der Kunst der italienischen Renaissance. Die Frage nach der Herkunft als Grundlage politischer, patrimonialer und kultureller Identität bildet den Fokus der Betrachtungen. Anstatt ursprüngliche Formen und Bedeutungen wiederherzustellen, wurde die Vergangenheit entsprechend neuen Identitätsbedürfnissen umgestaltet: Räume wurden umorganisiert und Kunstwerke mit neuen Bedeutungen versehen. Die materielle und ästhetische Realität der Kunstgegenstände erfuhr somit eine Umgestaltung und Neudefinition. Ziel der Beiträge ist es, mögliche physische Veränderungen der Artefakte im Lichte ihrer symbolischen Umkodierung zu analysieren. Mit Beiträgen von Kathleen



W. Christian, Caroline S. Hillard, Mateusz Kapustka, Jérémie Koering, Victor Lopes, Florian Métral, Arnold Nesselrath, Neville Rowley, Beat Wyss. Restaurierungspraktiken in der italienischen Renaissancekunst Kritische Hinterfragung des Renaissancebegriffs Umkodierung antiker Werke zu politischen Zwecken

The aim of this publication is to clarify the relationships between material restoration and politics in Italian Renaissance art. The focus of this research is on the question of origin as a foothold for political, patrimonial, and cultural identity. These claims were enacted within a system which, rather than restoring the initial forms and meanings of existing objects, remodeled the past according to new identity requirements: spaces were reorganized, and works of art invested with new meanings. Their material and aesthetic reality was thus transformed and redefined. The aim is therefore to analyze the potential physical modifications of these artefacts in light of their symbolic recoding. With contributions by Kathleen W. Christian, Caroline S. Hillard, Mateusz Kapustka, Jérémie Koering, Victor Lopes, Florian Métral, Arnold Nesselrath, Neville Rowley, Beat Wyss. Restoration practices in Italian Renaissance art Reassessing the concept of Renaissance Recording of ancient works for political purposes