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Record Nr. |
UNINA9910454612703321 |
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Autore |
Murray Timothy |
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Titolo |
Digital baroque [[electronic resource] ] : new media art and cinematic folds / / Timothy Murray |
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Pubbl/distr/stampa |
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Minneapolis, : University of Minnesota Press, c2008 |
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ISBN |
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Descrizione fisica |
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1 online resource (330 p.) |
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Collana |
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Electronic mediations ; ; v. 26 |
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Disciplina |
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Soggetti |
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Civilization, Baroque |
Digital video |
Installations (Art) |
Video recordings |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. 261-290) and index. |
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Nota di contenuto |
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Digital Baroque : Performative Passage from Hatoum to Viola -- Et in Arcadia Video : Poussin' the Image of Culture with Thierry Kuntzel and Louis Marin -- The Crisis of Cinema in the Age of New World-Memory : The Baroque Legacy of Jean-Luc Godard -- You Are How You Read : Baroque Chao-Errancy in Greenaway and Deleuze -- Digitality and the Memory of Cinema : Bearing the Losses of the Digital Code -- Wounds of Repetition in the Age of the Digital: Chris Marker's Cinematic Ghosts -- Philosophical Toys and Kaleidoscopes of the Unfamiliar : The Haunting Voices of Toni Dove and Zoe Beloff -- Digital Incompossibility: Cruising the Aesthetic Haze of New Media -- Psychic Scansion: The Marker of the Digital In-Between -- Time @ Cinema's Future : New Media Art and the Thought of Temporality. |
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Sommario/riassunto |
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In this intellectually groundbreaking work, Timothy Murray investigates a paradox embodied in the book's title: What is the relationship between digital, in the form of new media art, and baroque, a highly developed early modern philosophy of art? Making an exquisite and unexpected connection between the old and the new, Digital Baroque analyzes the philosophical paradigms that inform contemporary screen |
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