1.

Record Nr.

UNINA9910454561903321

Autore

Posner David Matthew

Titolo

The performance of nobility in early modern European literature / / David M. Posner [[electronic resource]]

Pubbl/distr/stampa

Cambridge : , : Cambridge University Press, , 1999

ISBN

1-107-11828-X

0-521-03487-6

1-280-15456-X

0-511-11810-4

0-511-14987-5

0-511-30989-9

0-511-48389-9

0-511-04882-3

Descrizione fisica

1 online resource (x, 272 pages) : digital, PDF file(s)

Collana

Cambridge studies in Renaissance literature and culture ; ; 33

Disciplina

809/.93353

Soggetti

European literature - Renaissance, 1450-1600 - History and criticism

Nobility in literature

Nobility of character in literature

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

Nota di bibliografia

Includes bibliographical references (p. 211-266) and index.

Nota di contenuto

; 1. Introduction: "The Noble Hart" -- ; 2. Montaigne and the staging of the self -- ; 3. Mask and error in Francis Bacon -- ; 4. Noble Romans: Corneille and the theatre of aristocratic revolt -- ; 5. La Bruyere and the end of the theatre of nobility.

Sommario/riassunto

This valuable study illuminates the idea of nobility as display, as public performance, in Renaissance and seventeenth-century literature and society. Ranging widely from Castiglione and French courtesy manuals, through Montaigne and Bacon, to the literature of the Grand Siècle, David Posner examines the structures of public identity in the period. He focuses on the developing tensions between, on the one hand, literary or imaginative representations of 'nobility' and, on the other, the increasingly problematic historical position of the nobility themselves. These tensions produce a transformation in the notion of



the noble self as a performance, and eventually doom court society and its theatrical mode of self-presentation. Situated at the intersection of rhetorical and historical theories of interpretation, this book contributes significantly to our understanding of the role of literature both in analysing and in shaping social identity.