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1. |
Record Nr. |
UNINA9910507409503321 |
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Autore |
Raus, Rachele |
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Titolo |
FESP : le français pour les étudiants de sciences politiques : Francese per la facoltà di Scienze Politiche / Rachele Raus |
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Pubbl/distr/stampa |
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Napoli, : Esselibri-Simone, 2005 |
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ISBN |
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Descrizione fisica |
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Collana |
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Disciplina |
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Locazione |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910454485103321 |
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Autore |
Pardes Ilana |
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Titolo |
Melville's Bibles [[electronic resource] /] / Ilana Pardes |
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Pubbl/distr/stampa |
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Berkeley, : University of California Press, c2008 |
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ISBN |
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1-281-38571-9 |
0-520-94152-7 |
9786611385712 |
1-4356-5377-7 |
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Descrizione fisica |
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1 online resource (207 p.) |
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Disciplina |
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Soggetti |
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Bible and literature |
Religion and culture |
Religion and literature - United States - History - 19th century |
American fiction - 19th century - History and criticism |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. 157-183) and index. |
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Nota di contenuto |
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Front matter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1. Playing with Leviathan: Job and the Aesthetic Turn in Biblical Exegesis -- 2. "Jonah Historically Regarded": Improvisations on Kitto's Cyclopedia of Biblical Literature -- 3. "Call Me Ishmael": The Bible and the Orient -- 4. Ahab, Idolatry, and the Question of Possession: Biblical Politics -- 5. Rachel's Inconsolable Cry: The Rise of Women's Bibles -- Epilogue -- Notes -- Index |
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Sommario/riassunto |
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Many writers in antebellum America sought to reinvent the Bible, but no one, Ilana Pardes argues, was as insistent as Melville on redefining biblical exegesis while doing so. In Moby-Dick he not only ventured to fashion a grand new inverted Bible in which biblical rebels and outcasts assume center stage, but also aspired to comment on every imaginable mode of biblical interpretation, calling for a radical reconsideration of the politics of biblical reception. In Melville's Bibles, Pardes traces Melville's response to a whole array of nineteenth-century exegetical writings-literary scriptures, biblical scholarship, Holy Land travel |
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narratives, political sermons, and women's bibles. She shows how Melville raised with unparalleled verve the question of what counts as Bible and what counts as interpretation. |
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