1.

Record Nr.

UNINA9910454399803321

Autore

Holloway David <1967->

Titolo

9/11 and the War on Terror / / David Holloway [[electronic resource]]

Pubbl/distr/stampa

Edinburgh : , : Edinburgh University Press, , 2008

ISBN

0-7486-7077-7

1-281-78584-9

9786611785840

0-7486-3241-7

Descrizione fisica

1 online resource (x, 197 pages) : digital, PDF file(s)

Collana

Representing American events

Disciplina

973.931

Soggetti

September 11 Terrorist Attacks, 2001, in art

War on Terrorism, 2001-2009

September 11 Terrorist Attacks, 2001, in literature

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Title from publisher's bibliographic system (viewed on 02 Oct 2015).

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

COVER; Copyright; Contents; List of Illustrations; Series Editors' Preface; Acknowledgements; Introduction; 1. History; 2. Politics; 3. Mass Media; 4. Cinema; 5. Literature; 6. Photography and Visual Art; Conclusion; Appendix A: Timeline; Appendix B: Synoptic Biographies; Annotated bibliography of further reading and texts cited; Index

Sommario/riassunto

This interdisciplinary study of how 9/11 and the ‘war on terror’ were represented during the Bush era, shows how culture often functioned as a vital resource, for citizens attempting to make sense of momentous historical events that frequently seemed beyond their influence or control. Illustrated throughout, the book discusses representation of 9/11 and the war on terror in Hollywood film, the 9/11 novel, mass media, visual art and photography, political discourse, and revisionist historical accounts of American ‘empire’, between the September 11 attacks and the Congressional midterm elections in 2006. As well as prompting an international security crisis, and a crisis in international governance and law, David Holloway suggests the culture of the time also points to a ‘crisis’ unfolding in the institutions and processes of republican democracy in the United States. His book offers a cultural and ideological history of the period,



showing how culture was used by contemporaries to debate, legitimise, qualify, contest, or repress discussion, about the causes, consequences and broader meanings of 9/11 and the war on terror.