1.

Record Nr.

UNINA9910454124303321

Autore

Kovács András Bálint

Titolo

Screening modernism [[electronic resource] ] : European art cinema, 1950-1980 / / András Bálint Kovács

Pubbl/distr/stampa

Chicago, : University of Chicago Press, c2007

ISBN

0-226-45166-6

1-281-95731-3

9786611957315

Descrizione fisica

1 online resource (441 p.)

Collana

Cinema and modernity

Disciplina

791.43094/09045

Soggetti

Motion pictures - Europe - History

Modernism (Aesthetics) - Europe

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references (p. [409]-[413]) and index.

Nota di contenuto

Front matter -- Contents -- Acknowledgments -- Introduction -- Part One: What Is the Modern? -- Part Two: The Forms of Modernism -- Part Four: The Short Story of Modern Cinema (1959-1975) -- Appendix -- Selected Bibliography -- Index of Names and Movie Titles

Sommario/riassunto

Casting fresh light on the renowned productions of auteurs like Antonioni, Fellini, and Bresson and drawing out from the shadows a range of important but lesser-known works, Screening Modernism is the first comprehensive study of European art cinema's postwar heyday. Spanning from the 1950's to the 1970's, András Bálint Kovács's encyclopedic work argues that cinematic modernism was not a unified movement with a handful of styles and themes but rather a stunning range of variations on the core principles of modern art. Illustrating how the concepts of modernism and the avant-garde variously manifest themselves in film, Kovács begins by tracing the emergence of art cinema as a historical category. He then explains the main formal characteristics of modern styles and forms as well as their intellectual foundation. Finally, drawing on modernist theory and philosophy along the way, he provides an innovative history of the evolution of modern European art cinema. Exploring not only modernism's origins but also



its stylistic, thematic, and cultural avatars, Screening Modernism ultimately lays out creative new ways to think about the historical periods that comprise this golden age of film.