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1. |
Record Nr. |
UNIBAS000037251 |
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Autore |
Maragall, Joan |
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Titolo |
Obra poética : versión bilingüe / Joan Maragall ; edición, introducción y notas de Antoni Comas ; traducción de J.F. Vidal Jové |
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Pubbl/distr/stampa |
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ISBN |
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84-7039-438-X |
84-7039-439-8 |
84-7039-437-1 |
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Descrizione fisica |
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Collana |
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Clásicos Castalia ; 126-127 |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di contenuto |
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Vol. 1: 1984. - 351 p., [3] carte di tav. Vol. 2: 1984. - 341 p., [2] carte di tav. |
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2. |
Record Nr. |
UNINA9910454072003321 |
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Autore |
Pöhlmann Egert |
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Titolo |
Gegenwärtige Vergangenheit : Ausgewählte Kleine Schriften / / Egert Pöhlmann; Georg Heldmann |
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Pubbl/distr/stampa |
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Berlin ; ; Boston : , : De Gruyter, , [2009] |
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©2008 |
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ISBN |
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1-282-07329-X |
9786612073298 |
3-11-021050-9 |
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Descrizione fisica |
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1 online resource (344 p.) |
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Collana |
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Beiträge zur Altertumskunde ; ; 262 |
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Classificazione |
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Disciplina |
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Soggetti |
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Classical literature -- History and criticism |
Classical literature |
Classical philology |
Music, Greek and Roman -- History and criticism |
Music, Greek and Roman |
Pöhlmann, Egert -- Bibliography |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di contenuto |
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Frontmatter -- Inhaltsübersicht -- Vorwort des Herausgebers -- Abkürzungen -- 1. Lyrische Variationen. Anakreontische Motive bei Eduard Mörike -- 2. PARODIA -- 3. Die zwei Musen des Vergil. Zum Vergilmosaik von Hadrumetum -- 4. Der Schreiber als Lehrer in der klassischen Zeit Griechenlands -- 5. Lukrez als Quelle griechischer Kulturentstehungslehre (zu Lukrez 5,1448-1457) -- 6. Philodem De musica 1969 - 1989 -- 7. Musiktheorie in spätantiken Sammelhandschriften -- 8. Die Wanderbühne der Techniten -- 9. IPSE CONTERET CAPUT TUUM (Genesis 3,15). Kreuz und Schlange in J.S. Bachs Johannespassion -- 10. Gattungen musikalischen Fachschrifttums im Altertum -- 11. Dichterweihe und Gattungswahl -- 12. Besprechung -- 13. Die Topographie der Troas in der Ilias: Fiktion und Realität -- 14. Griechische Musik 1989 -1992 -- 15. Das |
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"Griechische Wunder" und die Tragödie -- 16. Codex Hersfeldensis und Codex Aesinas. Zu Tacitus' Agricola -- 17. Besprechung -- 18. Ancient Greek Poetry and the Development of Monody -- 19. Aristophanes, Free Form and the Monody -- 20. The "Crowe Corslet" (Olympia M 394). King Iphitus of Elis asking Apollo for an oracle -- 21. Greek Music and Greek Musicians for Rome -- Backmatter |
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Sommario/riassunto |
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Egert Pöhlmann war bis 2001 Ordinarius für Klassische Philologie an der Universität Erlangen. Die hier vereinten Kleinen Schriften reichen von 1968 bis 2008. Neben Beiträgen zur Griechischen und Lateinischen Philologie und zur Antiken Musik stehen solche, die die Verbindung von Themen der Klassischen Philologie zu benachbarten Fächern wie Antike Philosophie, Archäologie, Kunstgeschichte, Neuere Deutsche Literatur und Musik suchen. Schwerpunkte innerhalb der Klassischen Philologie sind Theorie und Geschichte der literarischen Gattungen, Textgeschichte und Textkritik, Bühnendichtung und Bühnenspiel sowie das Nachleben der Antiken Literatur. Die Beiträge zur Antiken Musik wenden sich der Antiken Musiktheorie und der Musikpraxis der Antike zu. Antike Bühnenbauten sowie Vasenbilder schlagen die Brücke zur Archäologie. Der Band wird durch ein Schriftenverzeichnis von Egert Pöhlmann beschlossen. |
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3. |
Record Nr. |
UNINA9910792951703321 |
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Autore |
Watkins John <1960-> |
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Titolo |
After Lavinia : a literary history of premodern marriage diplomacy / / John Watkins |
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Pubbl/distr/stampa |
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Ithaca, [New York] ; ; London, [England] : , : Cornell University Press, , 2017 |
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©2017 |
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ISBN |
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1-5017-0851-1 |
1-5017-0852-X |
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Descrizione fisica |
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1 online resource (274 pages) : illustrations |
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Disciplina |
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Soggetti |
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Marriage - Political aspects - Europe - History |
Arranged marriage - Europe - History |
Diplomacy - History |
Europe Social life and customs History |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Previously issued in print: 2017. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Frontmatter -- Contents -- Acknowledgments -- Introduction -- Part One. Origins -- 1. After Rome -- 2. Interdynastic Marriage, Religious Conversion, and the Expansion of Diplomatic Society -- 3. From Chronicle to Romance -- Part Two. Wanings -- 4. Marriage Diplomacy, Print, and the Reformation -- 5. Shakespeare's Adumbrations of State-Based Diplomacy -- 6. Divas and Diplomacy in Seventeenth- Century France -- Conclusion -- Notes -- Bibliography -- Index |
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Sommario/riassunto |
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The Renaissance jurist Alberico Gentili once quipped that, just like comedies, all wars end in a marriage. In medieval and early modern Europe, marriage treaties were a perennial feature of the diplomatic landscape. When one ruler decided to make peace with his enemy, the two parties often sealed their settlement with marriages between their respective families. In After Lavinia, John Watkins traces the history of the practice, focusing on the unusually close relationship between diplomacy and literary production in Western Europe from antiquity through the seventeenth century, when marriage began to lose its effectiveness and prestige as a tool of diplomacy.Watkins begins with |
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Virgil's foundational myth of the marriage between the Trojan hero Aeneas and the Latin princess, an account that formed the basis for numerous medieval and Renaissance celebrations of dynastic marriages by courtly poets and propagandists. In the book's second half, he follows the slow decline of diplomatic marriage as both a tool of statecraft and a literary subject, exploring the skepticism and suspicion with which it was viewed in the works of Spenser and Shakespeare. Watkins argues that the plays of Corneille and Racine signal the passing of an international order that had once accorded women a place of unique dignity and respect. |
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