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Record Nr. |
UNINA9910453990303321 |
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Autore |
Plasketes George |
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Titolo |
B-sides, undercurrents and overtones [[electronic resource] ] : peripheries to popular in music, 1960 to the present / / George Plasketes |
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Pubbl/distr/stampa |
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Farnham, England ; ; Burlington, VT, : Ashgate, c2009 |
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ISBN |
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1-317-17112-8 |
1-282-24339-X |
9786612243394 |
0-7546-9382-1 |
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Descrizione fisica |
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1 online resource (222 p.) |
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Collana |
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Ashgate popular and folk music series |
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Disciplina |
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Soggetti |
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Popular music - United States - History and criticism |
Music - United States - History and criticism |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. [195]-201) and index. |
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Nota di contenuto |
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Cover; Contents; General Editor's Preface; Preface: My Back Pages; Acknowledgements; Introduction: The Flip Side: Let It B; 1 Get Your 45's On: Terry Melcher, Lost in the Surf and Sun of the 1960's Sound Waves; 2 How the Midwest Was Won: The Chicago Suburbs Seven, a Mid-1960's Regional Rotation; 3 Covering Outside the Lines: Hans Fenger and the Langley Schools Music Project; 4 Geffen Records v. Neil Young: The Battle of the Brands; 5 Music and Movie Mutuality: Ry Cooder, the Involved Bystander; 6 World Music Missionaries: Cross Cultural Convergences |
7 The Vital Visual Voice of the Videotape Editor: Seamlessly Sculpting Graceland: The African Concert 8 Rock Around the Cop: Bochco's Broadway Blue Print as Television Musical Muse and Martyr; 9 Must Sing TV: Pop Rock Sitcom Cameo Obscuras; 10 Umbilical Musical Chords: Lineage, Legacy and Mom and Pop Pedigree; 11 Die Another Day: Warren Zevon's Desperado "Deteriorata"; Bibliography; Index |
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Sommario/riassunto |
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There are undercurrents and peripheral taste preferences that are a defining part of our individual and collective cultural experience. Music |
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is no exception. Professor George Plasketes adapts the iconic 'A-side/B-side' dichotomy from the 45 r.p.m. for use as a unique conceptual, critical, historical, and cultural framework for exploring and threading together a variety of popular music and media texts. The profiles and perspectives focus on the peripheries; on texts which might be considered 'B-sides' - overlooked, underappreciated, and unsung cases, creators, patterns and productions that... |
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