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Record Nr. |
UNINA9910453859003321 |
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Titolo |
The emergence of video processing tools : television becoming unglued / / edited by Kathy High, Sherry Miller Hocking and Mona Jimenez |
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Pubbl/distr/stampa |
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Bristol, England ; ; Chicago, Illinois : , : Intellect Ltd, , 2014 |
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©2014 |
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ISBN |
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1-78320-301-3 |
1-78320-300-5 |
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Descrizione fisica |
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1 online resource (738 p.) |
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Disciplina |
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Soggetti |
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Image processing - Data processing |
Art and science |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di contenuto |
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Front Cover; Volume 1; Half-title; Title; Copyright; Dedication; Contents; ACKNOWLEDGMENTS; PREFACE; SECTION 1: HISTORIES; Introduction; Beginnings (with Artist Manifestos); Mapping Video Art as Category, or an Archaeology of the Conceptualizations of Video; Impulses - Tools; The Art-Style Computer-Processing System, 1974; Machine Aesthetics Are Always Modern; Electronic Video Instruments and Public Sector Funding; TV Lab: Image-making Tools; The New Television workshop at WGBH, Boston; The National Center for Experiments in Television at KQED-TV, San Francisco |
The Experimental Television Center: Advancing Alternative Production Resources, Artist Collectives and Electronic Video-Imaging Systems Interstitial Images: Histories; SECTION 2: PEOPLE AND NETWORKS; Introduction; From Component Level: Interview with LoVid; Memory Series - Phosphography in CRT 5"", Mexico, 2005; The Rhetoric of Soft Tools; Jeremy Bailey and His 'Total Symbiotic Art System'; De-commodification of Artworks: Networked Fantasy of the open; Virtuosity as Creative Freedom; Distribution Religion; A Toy for a Toy; woody Vasulka: Dialogue with the (Demons in the) Tool |
A Demo Tape on How to Play Video on a Violin Application to the |
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Guggenheim Foundation, 1980; Thoughts on Collaboration: Art and Technology; Interstitial Images: People and Networks; INDEX; COLOR PLATES; Volume 2; Half-Title; Title; Copyright; Dedication; Contents; SECTION 3: TOOLS; Introduction; Mods, Pods and Designs: Designing Tools and Systems; Computer-Based Video Synthesizer System, ETC; Design/Electronic Arts: The Buffalo Conference, March 10-13, 1977; Instruments, Apparel, Apparatus: An Essay of Definitions |
Expanding 'Image-processed Video' as Art: Subverting and Building Control Systems The Grammar of Electronic Image Processing; ETC's System; On Voltage Control: An Interview With Hank Rudolph; "Insofar as the rose can remember..."; Analog to Digital: Artists Using Technology; Analog Meets Digital In and Around the Experimental Television Center; Multi-tracking Control Voltages: HARPO; Finding the Tiny Dot: Designing Pantomation; Preserving Machines; A Catalog Record for the Raster Manipulation Unit; Copying-It-Right: Archiving the Media Art of Phil Morton |
Proposal for Low-cost Retrieval of Early Videotapes Produced on Obsolete Equipment and/or Videotape That Will Not Play Back, or Resurrection Bus (1980)Interstitial Images: Tools; AUTHOR BIOGRAPHIES; INDEX; COLOR PLATES; Back Cover |
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Sommario/riassunto |
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The Emergence of Video Processing Tools presents stories of the development of early video tools and systems designed and built by artists and technologists during the late 1960's and 70's. |
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