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1. |
Record Nr. |
UNINA9910455267703321 |
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Autore |
Atkinson William <1961-> |
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Titolo |
The 'spiritual death' of Jesus [[electronic resource] ] : a Pentecostal investigation / / by William P. Atkinson |
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Pubbl/distr/stampa |
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Leiden ; ; Boston, : Brill, 2009 |
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ISBN |
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1-282-40058-4 |
9786612400582 |
90-474-2531-6 |
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Descrizione fisica |
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Collana |
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Global Pentecostal and Charismatic studies, , 1876-2247 ; ; v. 1 |
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Disciplina |
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Soggetti |
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Faith movement (Hagin) |
Pentecostalism |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references (p. [263]-280) and indexes. |
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Nota di contenuto |
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Preliminary Materials / P. Atkinson -- Chapter One. The JDS Debate And Debaters / P. Atkinson -- Chapter Two. Scope, Criteria And Methods / P. Atkinson -- Chapter Three. Jesus’ ‘Spiritual Death’ And Its Necessity / P. Atkinson -- Chapter Four. Jesus’ ‘Spiritual Death’ As Separation From God / P. Atkinson -- Chapter Five. Jesus’ ‘Spiritual Death’ As Partaking Of A Sinful, Satanic Nature / P. Atkinson -- Chapter Six. Jesus’ ‘Spiritual Death’ As Becoming Satan’S Prey / P. Atkinson -- Chapter Seven. Conclusions / P. Atkinson -- Bibliography / P. Atkinson -- Index Of References / P. Atkinson -- Index Of Authors / P. Atkinson -- Index Of Subjects / P. Atkinson. |
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Sommario/riassunto |
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Winner of the Award of Excellence of the Foundation for Pentecostal Scholarship 2010. The teaching of Kenyon, Hagin and Copeland that Jesus ‘died spiritually’ (JDS) is important because of the influence of these men, not least on Pentecostalism. JDS originated with Kenyon, and has been taught in the Word-faith movement by Hagin and Copeland, despite much criticism. It incorporates three elements: in this death, Jesus was separated from God; partook of a satanic nature; and was Satan’s prey. This theological appraisal takes research far further than previous works, both in method and in scope. It concludes |
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that adoption of JDS by Pentecostalism would be damaging in several respects, and thus draw the latter away from its moorings in traditional Christianity. Pentecostals and others are advised to reject the bulk of this teaching. |
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2. |
Record Nr. |
UNINA9910453859003321 |
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Titolo |
The emergence of video processing tools : television becoming unglued / / edited by Kathy High, Sherry Miller Hocking and Mona Jimenez |
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Pubbl/distr/stampa |
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Bristol, England ; ; Chicago, Illinois : , : Intellect Ltd, , 2014 |
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©2014 |
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ISBN |
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1-78320-301-3 |
1-78320-300-5 |
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Descrizione fisica |
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1 online resource (738 p.) |
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Disciplina |
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Soggetti |
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Image processing - Data processing |
Art and science |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di contenuto |
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Front Cover; Volume 1; Half-title; Title; Copyright; Dedication; Contents; ACKNOWLEDGMENTS; PREFACE; SECTION 1: HISTORIES; Introduction; Beginnings (with Artist Manifestos); Mapping Video Art as Category, or an Archaeology of the Conceptualizations of Video; Impulses - Tools; The Art-Style Computer-Processing System, 1974; Machine Aesthetics Are Always Modern; Electronic Video Instruments and Public Sector Funding; TV Lab: Image-making Tools; The New Television workshop at WGBH, Boston; The National Center for Experiments in Television at KQED-TV, San Francisco |
The Experimental Television Center: Advancing Alternative Production Resources, Artist Collectives and Electronic Video-Imaging Systems Interstitial Images: Histories; SECTION 2: PEOPLE AND NETWORKS; Introduction; From Component Level: Interview with LoVid; Memory |
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Series - Phosphography in CRT 5"", Mexico, 2005; The Rhetoric of Soft Tools; Jeremy Bailey and His 'Total Symbiotic Art System'; De-commodification of Artworks: Networked Fantasy of the open; Virtuosity as Creative Freedom; Distribution Religion; A Toy for a Toy; woody Vasulka: Dialogue with the (Demons in the) Tool |
A Demo Tape on How to Play Video on a Violin Application to the Guggenheim Foundation, 1980; Thoughts on Collaboration: Art and Technology; Interstitial Images: People and Networks; INDEX; COLOR PLATES; Volume 2; Half-Title; Title; Copyright; Dedication; Contents; SECTION 3: TOOLS; Introduction; Mods, Pods and Designs: Designing Tools and Systems; Computer-Based Video Synthesizer System, ETC; Design/Electronic Arts: The Buffalo Conference, March 10-13, 1977; Instruments, Apparel, Apparatus: An Essay of Definitions |
Expanding 'Image-processed Video' as Art: Subverting and Building Control Systems The Grammar of Electronic Image Processing; ETC's System; On Voltage Control: An Interview With Hank Rudolph; "Insofar as the rose can remember..."; Analog to Digital: Artists Using Technology; Analog Meets Digital In and Around the Experimental Television Center; Multi-tracking Control Voltages: HARPO; Finding the Tiny Dot: Designing Pantomation; Preserving Machines; A Catalog Record for the Raster Manipulation Unit; Copying-It-Right: Archiving the Media Art of Phil Morton |
Proposal for Low-cost Retrieval of Early Videotapes Produced on Obsolete Equipment and/or Videotape That Will Not Play Back, or Resurrection Bus (1980)Interstitial Images: Tools; AUTHOR BIOGRAPHIES; INDEX; COLOR PLATES; Back Cover |
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Sommario/riassunto |
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The Emergence of Video Processing Tools presents stories of the development of early video tools and systems designed and built by artists and technologists during the late 1960's and 70's. |
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