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Record Nr. |
UNINA9910453531603321 |
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Autore |
Levine Gary Martin <1966-> |
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Titolo |
The merchant of modernism : the economic Jew in Anglo-American literature, 1864-1939 / / Gary Martin Levine |
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Pubbl/distr/stampa |
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New York : , : Routledge, , 2003 |
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ISBN |
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0-415-86704-5 |
1-136-71924-5 |
1-315-02404-7 |
1-136-71917-2 |
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Descrizione fisica |
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1 online resource (383 p.) |
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Collana |
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Literary criticism and cultural theory |
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Disciplina |
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Soggetti |
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American fiction - History and criticism |
Economics in literature |
English fiction - 19th century - History and criticism |
English fiction - 20th century - History and criticism |
Jews in literature |
Merchants in literature |
Modernism (Literature) - English-speaking countries |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Originally presented as the author's thesis (Ph. D.)--University of Iowa, 1999. |
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Nota di bibliografia |
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Includes bibliographical references (pages 193-203) and index. |
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Nota di contenuto |
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Cover; Title Page; Copyright Page; Table of Contents; Acknowledgements; Introduction; Chapter One: Our Mutual Creditor: Speculation, Representation, and the Jew in Charles Dickens' Our Mutual Friend and Anthony Trollope's The Way We Live Now; Chapter Two: "Made Viciously Cosmopolitan": From Realism to Romance in George Eliot's Daniel Deronda; Chapter Three: Transactions without Risk: Race, Art, and Commerce in Edith Wharton's The House of Mirth and The Custom of the Country |
Chapter Four: Populist Naturalism: The "Natural" Markets and "Unnatural" Jews of Frank Norris, Theodore Dreiser, and Mark TwainChapter Five: The Merchant of Modernism: The Author as Jew in Henry James's The Golden Bowl and The American Scene; Chapter Six: |
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"In Two Worlds at Once": Talmud, Cultural Capital, and Identity in Abraham Cahan's The Rise of David Levinsky; Chapter Seven: "A Single Window": First Person Narrators and Consuming Jews in F. Scott Fitzgerald's The Great Gatsby, Ernest Hemingway's The Sun Also Rises, and Willa Cather's The Professor's House |
Chapter Eight: Modernism Squats on My Windowsill: Rats, Jews, and Markets in T.S. Eliot's Ara Vos Prec, D.H. Lawrence's Women in Love, and Wyndham Lewis's The Apes of GodChapter Nine: Modernism Squats on My Windowsill, Part II: Markets of Meaning in Ezra Pound's Cantos, Gertrude Stein's Tender Buttons, and Virginia Woolf's Mrs. Dalloway; Chapter Ten: "Both Sides of the Question": Polyphony, Mixed Economies, and the Jewish Question in James Joyce's Ulysses; Notes; Bibliography; Index |
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Sommario/riassunto |
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First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company. |
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