1.

Record Nr.

UNINA9910453346403321

Autore

Carter Tim <1954->

Titolo

Orpheus in the marketplace : Jacopo Peri and the economy of late renaissance Florence / / Tim Carter, Richard A. Goldthwaite

Pubbl/distr/stampa

Cambridge, Massachusetts : , : Harvard University Press, , 2013

©2013

ISBN

0-674-72793-2

0-674-72657-X

Descrizione fisica

1 online resource (496 p.)

Collana

I Tatti Studies in Italian Renaissance History ; ; 10

I Tatti studies in Italian Renaissance history

Classificazione

LQ 81603

Altri autori (Persone)

GoldthwaiteRichard A

Disciplina

782.1092

Soggetti

Composers - Italy

Composers - Italy - Florence - Economic conditions - 16th century

Composers - Italy - Florence - Economic conditions - 17th century

Finance, Personal - Italy - Florence - History - 16th century

Finance, Personal - Italy - Florence - History - 17th century

Electronic books.

Florence (Italy) Economic conditions 16th century

Florence (Italy) Economic conditions 7th century

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Frontmatter -- Contents -- Figures and Tables -- Preface -- A Note on Money -- A Note on Transcriptions -- Introduction -- 1. The Social World -- 2. The Economic World -- 3. The Musical World -- 4. Last Years, Death, and the End of the Line -- Conclusion -- Appendix -- A. Chronology -- B. Letters from Jacopo Peri -- C. Catalogue of Peri's musical works -- D. Four poems concerning Jacopo Peri -- Works Cited -- Index

Sommario/riassunto

The Florentine musician Jacopo Peri (1561-1633) is known as the composer of the first operas--they include the earliest to survive complete, Euridice (1600), in which Peri sang the role of Orpheus. The recent discovery of a large number of private account books belonging to him and his family allows for a greater exploration of Peri's



professional and personal life. Richard Goldthwaite, an economic historian, and Tim Carter, a musicologist, have done more, however, than write a biography: their investigation exposes the value of such financial documents as a primary source for an entire period. This record of Peri's wide-ranging investments and activities in the marketplace enables the first detailed account of the Florentine economy in the late sixteenth and early seventeenth centuries, and opens a new perspective on one of Europe's principal centers of capitalism. His economic circumstances reflect continuities and transformations in Florentine society, and the strategies for negotiating them, under the Medici grand dukes. They also allow a reevaluation of Peri the singer and composer that elucidates the cultural life of a major artistic center even in changing times, providing a quite different view of what it meant to be a musician in late Renaissance Italy.