1.

Record Nr.

UNINA9910453221003321

Autore

Grass Sean <1971-, >

Titolo

The self in the cell : narrating the Victorian prisoner / / Sean Grass

Pubbl/distr/stampa

London : , : Routledge, , 2013

ISBN

1-138-98162-1

1-135-38484-3

0-203-95444-0

Descrizione fisica

1 online resource (304 p.)

Collana

Literary criticism and cultural theory

Disciplina

823/.809355

Soggetti

English fiction - 19th century - History and criticism

Prisoners in literature

Prisons - Great Britain - History - 19th century

Narration (Rhetoric) - History - 19th century

Self in literature

Prisons in literature

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

First published in 2003 by Routledge.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Cover; Title Page; Copyright Page; Dedication; Table of Contents; ACKNOWLEDGMENTS; ABBREVIATIONS; INTRODUCTION Solitude, Surveillance, and the Art of the Novel; CHAPTER 1 Narrating the Victorian Prisoner; CHAPTER 2 Prisoners by Boz: Pickwick Papers and American Notes; CHAPTER 3 Charles Reade, the Facts, and Deliberate Fictions; CHAPTER 4 ""How Not to Do It"": Dickens, the Prison, and the Failure of Omniscience; CHAPTER 5 The ""Marks System"": Australia and Narrative Wounding; CHAPTER 6 The Self in the Cell: Villette, Armadale, and Victorian Self-Narration

CONCLUSION Narrative Power and Private Truth: Freud, Foucault, and The Mystery of Edwin DroodNOTES; WORKS CITED; INDEX

Sommario/riassunto

Michel Foucault's writing about the Panopticon in Discipline and Punish has dominated discussions of the prison and the novel, and recent literary criticism draws heavily from Foucauldian ideas about surveillance to analyze metaphorical forms of confinement: policing,



detection, and public scrutiny and censure. But real Victorian prisons and the novels that portray them have few similarities to the Panopticon. Sean Grass provides a necessary alternative to Foucault by tracing the cultural history of the Victorian prison, and pointing to the tangible relations between Victorian confine