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1. |
Record Nr. |
UNINA9910453138303321 |
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Autore |
Jackson Michael <1940-> |
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Titolo |
The other shore [[electronic resource] ] : essays on writers and writing / / Michael Jackson |
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Pubbl/distr/stampa |
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Berkeley, Calif., : University of California Press, 2013 |
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ISBN |
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Descrizione fisica |
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1 online resource (218 p.) |
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Disciplina |
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Soggetti |
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American fiction - 20th century - History and criticism |
English literature - History and criticism |
English language - Writing |
Authorship |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Frontmatter -- Contents -- Preface -- 1.The Other Shore -- 2. The Red Road -- 3. Kindred Spirits -- 4. Writing under the Influence -- 5. A Typewriter Collecting Dust -- 6. Writing in Limbo -- 7. The Magical Power of Words -- 8. Flights of Fancy -- 9. Writing Fellowship -- 10. There Go I -- 11. Love Letters -- 12. Writing for Bare Life -- 13. Writing So As Not to Die -- 14. Chinese Boxes -- 15. The Writing on the Wall -- 16. Writing out of the Blue -- 17. A Storyteller's Story -- 18. Writing in the Dark -- 19. Writing in the Zone -- 20. Writing, Naturally -- 21. Writing Workshop -- 22. The Books in My Life -- 23. Writing Utopia -- 24. Writing in Search of Lost Time -- 25. Writing about Writers -- 26. Writing in Ruins -- 27. Writing as a Way of Life -- Notes -- Acknowledgments |
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Sommario/riassunto |
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In this book, ethnographer and poet Michael Jackson addresses the interplay between modes of writing, modes of understanding, and modes of being in the world. Drawing on literary, anthropological and autobiographical sources, he explores writing as a technics akin to ritual, oral storytelling, magic and meditation, that enables us to reach beyond the limits of everyday life and forge virtual relationships and imagined communities. Although Maurice Blanchot wrote of the |
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impossibility of writing, the passion and paradox of literature lies in its attempt to achieve the impossible--a leap of faith that calls to mind the mystic's dark night of the soul, unrequited love, nostalgic or utopian longing, and the ethnographer's attempt to know the world from the standpoint of others, to put himself or herself in their place. Every writer, whether of ethnography, poetry, or fiction, imagines that his or her own experiences echo the experiences of others, and that despite the need for isolation and silence his or her work consummates a relationship with them. |
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2. |
Record Nr. |
UNINA9910340602403321 |
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Autore |
Lozada Martín |
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Titolo |
Crímenes de Lesa Humanidad y Genocidio : Cómo Calificar la Violencia Estatal en la Argentina (1976-1983) |
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Pubbl/distr/stampa |
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Bogota : , : Universidad Nacional de Río Negro, , 2019 |
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©2019 |
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ISBN |
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987-4960-45-0 |
987-4960-18-3 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (268 p.) |
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Altri autori (Persone) |
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Soggetti |
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Law |
terrorisme d'État |
génocide |
crimes contre l'humanité |
tribunaux internationaux |
droits humains |
procès en Argentine |
système juridique de l'Argentine |
XX siècle |
dictature argentine |
State terrorism |
genocide |
crimes against humanity |
international courts |
human rights |
trial in Argentina |
Argentina's legal system |
twentieth century |
argentine dictatorship |
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terrorismo de Estado |
genocidio |
crímenes de lesa humanidad |
crímenes contra la humanidad |
tribunales internacionales |
derechos humanos |
juzgamiento en la Argentina |
sistema jurídico de la Argentina |
siglo XX |
dictadura argentina |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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Una de las discusiones que perdura desde el fin de la última dictadura militar en la Argentina es la que se refiere a la naturaleza criminal de los actos perpetrados desde el Estado en aquel período. Motivado por responder a ese interrogante, Martín Lozada ofrece un recorrido analítico que va desde el derecho penal internacional a la especificidad del debate local. En la primera parte de este libro, el autor evalúa las características del complejo de los crímenes contra la humanidad y, particularmente, de los crímenes de lesa humanidad y genocidio. Para ello, no solo indaga en la conformación técnico-jurídica de estas figuras, sino que busca explicitar, más allá de la propia letra de la ley, qué tragedias humanas exigieron su construcción teórica. En la segunda parte se aboca al caso argentino: «se suele invocar el carácter genocida de los actos perpetrados por los entonces detentadores del poder del Estado, usurpado mediante las maniobras pergeñadas y concretadas por el poder militar –y sus colaboradores civiles– a partir del día 24 de marzo de 1976. Evaluar el alcance de esa afirmación y verificar si, en efecto, el desarrollo experimentado por ciertas ramas del derecho le brinda razón, responde también al objetivo trazado” en este trabajo, explica el autor. «La obra de Martín Lozada es equilibrada, permite percibir profundidades de conocimiento no desarrolladas previamente, a partir de una exposición ágil, clara, con hilo conductor siempre presente y admirablemente enlazada». Zlata Drnas de Clément Since the end of the last military dictatorship in Argentina, the discussion about the criminal nature of the acts perpetrated from the State during that period has lasted. Motivated to answer that question, Martín Lozada offers an analytical journey that goes from international criminal law to the specificity of the local debate. In the first part of this book, the author assesses the characteristics of the complex of crimes against humanity and, in particular,… |
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