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1. |
Record Nr. |
UNINA9910452958103321 |
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Autore |
Destutt de Tracy Antoine Louis Claude, comte, <1754-1836.> |
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Titolo |
A treatise on political economy [[electronic resource] /] / Antoine Louis Claude Destutt de Tracy ; translated by Thomas Jefferson ; edited and with an introduction by Jeremy Jennings |
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Pubbl/distr/stampa |
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Indianapolis, : Liberty Fund, c2011 |
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ISBN |
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1-4619-3709-4 |
1-61487-887-0 |
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Descrizione fisica |
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1 online resource (289 p.) |
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Altri autori (Persone) |
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JeffersonThomas <1743-1826.> |
JenningsJeremy <1952-> |
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Disciplina |
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Soggetti |
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Economics |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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"The text of this edition is the translation by Thomas Jefferson, published in 1817 by Joseph Milligan [published as: A treatise on political economy : to which is prefixed a supplement to a preceding work on the understanding : or Elements of ideology : with an analytical table, and an introduction on the faculty of the will]." |
A Treatise on political economy appears as the fourth part of the Élémens d'idéologie, entitled Traité de la volonté et de ses effets. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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""Destutt de Tracy, A Treatise on Political Economy ""; ""Front Matter ""; ""Title Page ""; ""Copyright Details ""; ""Table of Contents, p. v ""; ""Acknowledgments, p. vii ""; ""Introduction to the Liberty Fund Edition, p. ix ""; ""Note on the Text, p. xxi ""; ""A Treatise on Political Economy ""; ""Letter from Thomas Jefferson to Joseph Milligan, p. 3 ""; ""Prospectus, p. 5 ""; ""Advertisement, p. 9 ""; ""Abstract, or Analytical Table, p. 13 ""; ""Supplement to the First Section of the Elements of Ideology, p. 31 "" |
""Second Section of the Elements of Ideology, or a treatise on the will and its effects, p. 53 """"First Part of the Treatise on the Will and Its Effects, p. 91 ""; ""Chapter 1. Of Society, p. 93 ""; ""Chapter 2. Of Production, or of the Formation of Our Riches, p. 103 ""; ""Chapter 3. Of the Measure of Utility or of Values, p. 108""; ""Chapter 4. Of the Change of Form, or of Manufacturing Industry, Comprising Agriculture, p. 113 |
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""; ""Chapter 5. Of the Change of Place, or of Commercial Industry, p. 113 ""; ""Chapter 6. Of Money, p. 139 ""; ""Chapter 7. Reflections on What Precedes, p. 160 "" |
""Chapter 8. Of the Distribution of Our Riches amongst Individuals, p. 163 """"Chapter 9. Of the Multiplication of Individuals, or of Population, p. 170 ""; ""Chapter 10. Consequences and Developments of the Two Preceding Chapters, p. 176 ""; ""Chapter 11. Of the Employment of Our Riches, or of Consumption, p. 197 ""; ""Chapter 12. Of the Revenues and Expenses of a Government, and of Its Debts, p. 217 ""; ""Chapter 13. Conclusion, p. 252 ""; ""Index, p. 257 "" |
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2. |
Record Nr. |
UNINA9910820139803321 |
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Autore |
Fabe Marilyn |
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Titolo |
Closely watched films : an introduction to the art of narrative film technique / / Marilyn Fabe |
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Pubbl/distr/stampa |
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Oakland, California : , : University of California Press, , 2004 |
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©2004 |
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ISBN |
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Descrizione fisica |
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1 online resource (313 p.) |
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Disciplina |
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Soggetti |
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Motion pictures - Evaluation |
Motion pictures - Aesthetics |
Motion pictures |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Front matter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1. The Beginnings of Film Narrative: D.W. Griffith's The Birth of a Nation -- 2 The Art of Montage: Sergei Eisenstein's The Battleship Potemkin -- 3. Expressionism and Realism in Film Form: F.W. Murnau's The Last Laugh and Charles Chaplin's The Adventurer -- 4. The Conversion to Sound and the Classical Hollywood Film: Howard Hawks's His Girl Friday -- 5. Expressive Realism: Orson Welles's Citizen Kane -- 6. Italian Neorealism: Vittorio De Sica's The Bicycle Thief -- 7. Auteur Theory and the French New Wave: François Truffaut's The 400 Blows -- 8. Hollywood Auteur: Alfred Hitchcock's Notorious -- 9. The |
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European Art Film: Federico Fellini's 8 1/2 -- 10. Film and Postmodernism: Woody Allen's Annie Hall -- 11. Political Cinema: Spike Lee's Do the Right Thing -- 12. Feminism and Film Form: Patricia Rozema's I've Heard the Mermaids Singing -- 13. Digital Video and New Forms of Narrative: Mike Figgis's Timecode and James Cameron's Avatar -- Notes -- Glossary -- Bibliography -- Index |
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Sommario/riassunto |
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How do films work? How do they tell a story? How do they move us and make us think? Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film history and theory to enable us to see more in every film we watch. Ranging from D. W. Griffith's The Birth of a Nation to James Cameron's Avatar, and ending with an epilogue on digital media, Closely Watched Films focuses on exemplary works of fourteen film directors whose careers together span the history of the narrative film. Lively and down-to-earth, this concise introduction provides a broad, complete, and yet specific picture of visual narrative techniques that will increase readers' excitement about and knowledge of the possibilities of the film medium. Shot-by-shot analyses of short passages from each film ground theory in concrete examples. Fabe includes original and well-informed discussions of Soviet montage, realism and expressionism in film form, classical and modern sound theory, the classic Hollywood film, Italian neorealism, the French New Wave, auteur theory, modernism and postmodernism in film, political cinema, feminist film theory and practice, and narrative experiments in new digital media. Encompassing the earliest silent films as well as those that exploit the most recent technological innovations, this book gives us the particulars of how film-arguably the most influential of contemporary forms of representation-constitutes our pleasure, influences our thoughts, and informs our daily reality. Updated to include a discussion of 3-D and advanced special effects, this tenth anniversary edition is an essential film studies text for students and professors alike. |
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