1.

Record Nr.

UNINA9910452658203321

Autore

Smolin Jonathan

Titolo

Moroccan noir : police, crime, and politics in popular culture / / Jonathan Smolin

Pubbl/distr/stampa

Bloomington : , : Indiana University Press, , 2013

ISBN

0-253-01065-9

0-253-01073-X

Descrizione fisica

1 online resource (308 p.)

Collana

Public cultures of the Middle East and North Africa

Disciplina

306.280964

Soggetti

Crime in mass media

Crime in popular culture - Morocco

Mass media and crime - Morocco

Mass media policy - Morocco

Police in mass media

Police in popular culture - Morocco

Police - Morocco

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Introduction : state, mass media, and the new Moroccan authoritarianism -- Police on trial : the Tabit Affair, newspaper sensationalism, and the end of the Years of Lead -- "He butchered his wife because of witchcraft and adultery" : crime tabloids, moral panic and the remaking of the Moroccan cop -- Crime-page fiction : Moroccan true crime and the new independent press -- Prime-time cops : blurring police fact and fiction on Moroccan television -- The Moroccan "serial killer" and CSI : Casablanca -- From Morocco's 9/11 to community policing : state advertising and the new citizen -- Epilogue : "the police are at the service of the people."

Sommario/riassunto

Facing rising demands for human rights and the rule of law, the Moroccan state fostered new mass media and cultivated more positive images of the police, once the symbol of state repression, reinventing the relationship between citizen and state for a new era. Jonathan Smolin examines popular culture and mass media to understand the



changing nature of authoritarianism in Morocco over the past two decades. Using neglected Arabic sources including crime tabloids, television movies, true-crime journalism, and police advertising, Smolin sheds new light on politics and popular culture in the Mid