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Record Nr. |
UNINA9910452421603321 |
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Autore |
Liu Jin <1974 August-> |
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Titolo |
Signifying the local : media productions rendered in local languages in mainland China in the new millennium / / by Jin Liu |
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Pubbl/distr/stampa |
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Leiden ; ; Boston : , : Brill, , 2013 |
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ISBN |
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Descrizione fisica |
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1 online resource (325 p.) |
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Collana |
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China studies, , 1570-1344 ; ; volume 25 |
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Disciplina |
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Soggetti |
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Mass media and language - China |
Local mass media - China |
Mass media and minorities - China |
Communication and culture - China |
Chinese language - Dialects |
Electronic books. |
China Languages |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction -- A historical review of the discourse of the local in twentieth-century China -- An overview of television series productions in the 2000s -- Alternative translation: performativity in dubbing films in local languages -- Empowering local community: TV news talk shows in local languages -- Ambivalent laughter: comic sketches in CCTV's spring festival eve gala -- Popular music and local youth identity in the age of the Internet -- The rhetoric of local languages as the marginal: Chinese underground and independent films by Jia Zhangke and others -- Multiplicity in mainstream studio films in local languages -- The unassimilated voice in recent fiction in local languages -- Conclusion. |
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Sommario/riassunto |
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In Signifying the Local , Jin Liu examines contemporary cultural productions rendered in local languages and dialects ( fangyan ) in the fields of television, cinema, music, and literature in Mainland China. This ground-breaking interdisciplinary research provides an account of the ways in which local-language media have become a platform for the articulation of multivocal, complex, and marginal identities in post- |
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socialist China. Viewed from the uniquely revealing perspective of local languages, the mediascape of China is no longer reducible to a unified, homogeneous, and coherent national culture, and thus renders any monolithic account of the Chinese language, Chineseness, and China impossible. |
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