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Record Nr. |
UNINA9910452408403321 |
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Autore |
Schweninger Lee |
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Titolo |
Imagic moments : indigenous North American film / / Lee Schweninger |
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Pubbl/distr/stampa |
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Athens, : University of Georgia Press, c2013 |
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ISBN |
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1-299-46419-X |
0-8203-4576-8 |
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Descrizione fisica |
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1 online resource (xv, 247 pages) : illustrations |
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Disciplina |
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Soggetti |
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Indians in motion pictures |
Indians in the motion picture industry - Canada |
Indians in the motion picture industry - United States |
Motion pictures - Canada |
Motion pictures - United States |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references, filmography and index. |
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Nota di contenuto |
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Introduction: where to concentrate -- He was still the chief: Masayesva's imagining Indians -- Into the city: ordered freedom in The exiles -- The native presence in film: House made of dawn -- A concordance of narrative voices: Harold, trickster, and Harold of Orange -- I don't do portraits: Medicine River and the art of photography -- Keep your pony out of my garden: Powwow highway and "being Cheyenne" -- Feeling extra magical: the art of disappearing in Smoke signals -- Making his own music: death and life in The business of fancydancing -- Sharing the kitchen: Naturally native and women in American Indian film -- In the form of a spider: the interplay of narrative fiction and documentary in Skins -- The stories pour out: taking control in The doe boy -- Telling our own stories: seeking identity in Tkaronto -- People come around in circles: Harjo's Four sheets to the wind -- Epilogue: Barking water and beyond. |
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Sommario/riassunto |
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In Indigenous North American film Native Americans tell their own stories and thereby challenge a range of political and historical contradictions, including egregious misrepresentations by Hollywood. Although Indians in film have long been studied, especially as |
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