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Record Nr. |
UNINA9910452221603321 |
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Autore |
Green Charles <1953-> |
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Titolo |
The third hand [[electronic resource] ] : collaboration in art from conceptualism to postmodernism / / Charles Green |
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Pubbl/distr/stampa |
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Minneapolis, : University of Minnesota Press, c2001 |
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ISBN |
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Descrizione fisica |
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1 online resource (266 p.) |
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Disciplina |
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Soggetti |
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Artist couples |
Artistic collaboration |
Conceptual art |
Modernism (Art) |
Postmodernism |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. 201-234) and index. |
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Nota di contenuto |
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Contents; Acknowledgments; Introduction: Collaboration as Symptom; Part I. Collaboration as Administration; 1. Art by Long Distance; 2. Conceptual Bureaucracy; Part II. Collaboration, Anonymity, and Partnership; 3. Memory, Ruins, and Archives; 4. Memory Storage; 5. Memory and Ethics; Part III. Collaboration and the Third Hand; 6. Negotiated Identity; 7. Eliminating Personality; 8. Missing in Action; 9. Doubles, Doppelgängers, and the Third Hand; Conclusion: The Value Added Landscape; Notes; Index; |
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Sommario/riassunto |
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Since the 1960's, a number of artists have challenged the dominant paradigm of art-that of the lone artist-by embarking on long-term collaborations that dramatically altered the terms of artistic identity. In The Third Hand, Charles Green offers a sustained critical examination of collaboration in international contemporary art. |
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