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Record Nr. |
UNINA9910452154903321 |
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Autore |
Yolton John W |
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Titolo |
Perceptual acquaintance [[electronic resource] ] : from Descartes to Reid / / John W. Yolton |
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Pubbl/distr/stampa |
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Minneapolis, : University of Minnesota Press, c1984 |
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ISBN |
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0-8166-5560-X |
0-8166-1163-7 |
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Descrizione fisica |
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1 online resource (260 p.) |
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Disciplina |
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Soggetti |
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Perception (Philosophy) - History |
Knowledge, Theory of - History |
Philosophy, Modern |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di bibliografia |
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Includes bibliography and index. |
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Nota di contenuto |
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Contents; Preface; Introduction; Chapter I. Perceptual Cognition of Body in Descartes; Chapter II. Malebranche on Perception and Knowledge; Chapter III. Direct Presence among the Cartesians; Chapter IV. British Presence; Chapter V. Locke and Malebranche: Two Concepts of Idea; Chapter VI. Ideas in Logic and Psychology; Chapter VII. Perceptual Optics; Chapter VIII. Hume on Single and Double Existence; Chapter IX. Hume on Imagination: A Magical Faculty of the Soul; Chapter X. Hume's Ideas; Chapter XI. Sense and Meaning; Bibliography; Index |
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Sommario/riassunto |
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Perceptual Acquaintance was first published in 1984. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Philosophers, wrote Thomas Reid in 1785, ""all suppose that we perceive not external objects immediately, and that the immediate objects of perception are only certain shadows of the external objects."" To Reid, a founding father of the common-sense school of philosophy, John Locke's ""way of ideas"" threatened to supplant, in human knowledge, the world |
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2. |
Record Nr. |
UNINA9910463536603321 |
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Autore |
Cahill Edward (Edward Charles) |
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Titolo |
Liberty of the imagination [[electronic resource] ] : aesthetic theory, literary form, and politics in the early United States / / Edward Cahill |
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Pubbl/distr/stampa |
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Philadelphia, : University of Pennsylvania Press, 2012 |
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ISBN |
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1-283-89901-9 |
0-8122-0619-3 |
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Descrizione fisica |
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1 online resource (325 p.) |
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Soggetti |
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American literature - 19th century - History and criticism |
Aesthetics, American |
National characteristics, American, in literature |
Imagination in literature |
Landscapes in literature |
Literary form - History - 19th century |
Politics in literature |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references (p. [279]-302) and index. |
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Nota di contenuto |
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Front matter -- Contents -- Introduction -- 1. Ingenious Disquisition and Controversy -- 2. Poetry, Pleasure, and the Revolution -- 3. The Beautiful and Sublime Objects of Landscape Writing -- 4. Taste, Ratification, and Republican Form in The Federalist -- 5. The Novel, the Imagination, and Charles Brockden Brown's Aesthetic State -- 6. Federalist Criticism and the Power of Genius -- Conclusion -- List of Abbreviations -- Notes -- Bibliography -- Index -- Acknowledgments |
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Sommario/riassunto |
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In Liberty of the Imagination, Edward Cahill uncovers the surprisingly powerful impact of eighteenth-century theories of the imagination-philosophical ideas about aesthetic pleasure, taste, genius, the beautiful, and the sublime-on American writing from the Revolutionary era to the early nineteenth century. Far from being too busy with politics and commerce or too anxious about the morality of pleasure, American writers consistently turned to ideas of the imagination in |
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order to comprehend natural and artistic objects, social formations, and political institutions. Cahill argues that conceptual tensions within aesthetic theory rendered it an evocative language for describing the challenges of American political liberty and confronting the many contradictions of nation formation. His analyses reveal the centrality of aesthetics to key political debates during the colonial crisis, the Revolution, Constitutional ratification, and the advent of Jeffersonian democracy. Exploring the relevance of aesthetic ideas to a range of literary genres-poetry, novels, political writing, natural history writing, and literary criticism-Cahill makes illuminating connections between intellectual and political history and the idiosyncratic formal tendencies of early national texts. In doing so, Liberty of the Imagination manifests the linguistic and intellectual richness of an underappreciated literary tradition and offers an original account of the continuity between Revolutionary writing and nineteenth-century literary romanticism. |
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