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1. |
Record Nr. |
UNISOBE600200001675 |
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Autore |
Barthélemy, Dominique |
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Titolo |
L'ordre seigneurial : 11.-12. siècle / Dominique Barthélemy |
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Pubbl/distr/stampa |
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[Paris] : Éditions du Seuil, 1990 |
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ISBN |
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Descrizione fisica |
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Collana |
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Nouvelle histoire de la France médiévale ; 3 |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910452105303321 |
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Autore |
Crowther Paul |
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Titolo |
The phenomenology of modern art [[electronic resource] ] : exploding Deleuze, illuminating style / / Paul Crowther |
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Pubbl/distr/stampa |
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New York, : Continuum International Pub. Group, 2012 |
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ISBN |
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1-280-57717-7 |
9786613606884 |
1-4411-1506-4 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (301 p.) |
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Collana |
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Disciplina |
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Soggetti |
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Art, Modern - 20th century |
Phenomenology |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Cover; Half title; Seriespage; Title; Copyright; Contents; List of Illustrations; Acknowledgements; Introduction: The Interpretation of |
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Modern Art; Chapter One: Releasing Style from Sensation: Deleuze, Francis Bacon and Modern Painting; Introduction; Part One; Part Two; Part Three; Part Four; Conclusion; Chapter Two: Origins of Modernism and the Avant-Garde; Introduction; Part One; Part Two; Part Three; Chapter Three: Nietzsche and the Varieties of Expressionism; Introduction; Part One; Part Two; Part Three; Part Four; Chapter Four: Merleau-Ponty's Cezanne; Introduction; Part One; Part Two |
Part ThreePart Four; Conclusion; Chapter Five: Interpreting Cubist Space: From Kant to Phenomenology; Introduction; Part One; Part Two; Part Three; Part Four; Chapter Six: Duchamp, Kant, and Conceptual Phenomena; Introduction; Part One; Part Two; Conclusion; Chapter Seven: Greenberg's Kant and Modernist Painting; Introduction; Part One; Part Two; Chapter Eight: Deleuze and the Interpretation of Abstract Art; Introduction; Part One; Part Two; Conclusion; Chapter Nine: Plane Truths: Hans Hofmann, Modern Art and the Meaning of Abstraction; Introduction; Part One; Part Two; Part Three; Part Four |
Part FiveConclusion; Notes; Bibliography; Index; Plates 1; Plates 2; Plates 3; Plates 4 |
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Sommario/riassunto |
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As a philosophical approach, phenomenology is concerned with structure in how phenomena are experienced. The Phenomenology of Modern Art uses phenomenological insights to explain the significance of style in modern art, most notably in Impressionism, Expressionism, Cezanne and Cubism, Duchampian conceptualism and abstract art. Paul Crowther explores this thematic approachin a new way, addressing specific visual artworks and tendencies in detail and introduces a new methodology- post-analytic phenomenology. It is this more critical, post-analytic orientation that allows the book to utilise some |
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