1.

Record Nr.

UNINA9910451795003321

Autore

Bate Bernard

Titolo

Tamil oratory and the Dravidian aesthetic [[electronic resource] ] : democratic practice in south India / / Bernard Bate

Pubbl/distr/stampa

New York, : Columbia University Press, c2009

ISBN

0-231-51940-0

Descrizione fisica

1 online resource (288 p.)

Collana

Cultures of history

Disciplina

398.2/0494811

Soggetti

Folk literature, Tamil - India - Madurai

Epic poetry, Tamil - India - Madurai

Speeches, addresses, etc., Tamil - India - Madurai

Tamil language - India - Madurai - Rhetoric

Politics and culture - India - Madurai

Language and culture - India - Madurai

Electronic books.

Madurai (India) Politics and government

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Frontmatter -- Contents -- List of Figures and Tables -- Preface -- Acknowledgments -- A Note on Tamil Words -- Introductions -- 1. The Dravidian Proper -- 2. The King's Red Tongue -- 3. Walking Utopia -- 4. On Life, Moonlight, and Jasmine -- 5. Bhakti and the Limits of Apotheosis -- 6. Kavitha's Love -- 7. Speech in the Kali Yugam -- Afterword: Dravidian Neoclassicism -- Notes -- Appendix: Kavitha's Speech -- Glossary -- References -- Index

Sommario/riassunto

This is a book about the newness of old things. It concerns an oratorical revolution, a transformation of oratorical style linked to larger transformations in society at large. It explores the aesthetics of Tamil oratory and its vital relationship to one of the key institutions of modern society: democracy. Therefore this book also bears on the centrality of language to the modern human condition.Though Tamil oratory is a relatively new practice in south India, the Dravidian (or Tamil nationalist) style employs archaic forms of Tamil that suggest an ancient mode of speech. Beginning with the advent of mass democratic



politics in the 1940s, a new generation of politician adopted this style, known as "fine," or "beautiful Tamil" (centamil), for its distinct literary virtuosity, poesy, and alluring evocation of a pure Tamil past. Bernard Bate explores the centamil phenomenon, arguing that the genre's spectacular literacy and use of ceremonial procession, urban political ritual, and posters, praise poetry are critical components in the production of a singularly Tamil mode of political modernity: a Dravidian neoclassicism. From his perspective, the centamil revolution and Dravidian neoclassicism suggest that modernity is not the mere successor of tradition but the production of tradition, and that this production is a primary modality of modernity, a new newness-albeit a newness of old things.