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1. |
Record Nr. |
UNINA9910464045003321 |
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Titolo |
Kiss the blood off my hands : on classic film noir / / edited by Robert Miklitsch |
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Pubbl/distr/stampa |
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Urbana, Illinois ; ; Chicago, Illinois : , : University of Illinois Press, , 2014 |
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©2014 |
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ISBN |
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0-252-08018-1 |
0-252-09651-7 |
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Descrizione fisica |
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1 online resource (265 p.) |
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Disciplina |
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Soggetti |
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Film noir - History and criticism |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction -- Independence unpunished: the female detective in classic film noir / Philippa Gates -- Women and film noir: Pulp fiction and the woman's picture / Julie Grossman -- The vanishing love song in film noir / Krin Gabbard -- Radio, film noir, and the aesthetics of auditory spectacle / Neil Verma -- Disney noir: "just drawn that way" / J. P. Telotte -- Detour: driving in a back projection, or forestalled by film noir / Vivian Sobchack -- Producing noir: Wald, Scott, Hellinger / Andrew Spicer -- Refuge England: blacklisted American directors and '50s British noir / Robert Murphy -- A little larceny: labor, leisure, and loyalty in the '50s noir heist film / Mark Osteen -- Periodizing classic noir: from Stranger on the third floor to the "thrillers of tomorrow" / Robert Miklitsch. |
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Sommario/riassunto |
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Consider the usual view of film noir: endless rainy nights populated by down-at-the-heel boxers, writers, and private eyes stumbling toward inescapable doom while stalked by crooked cops and cheating wives in a neon-lit urban jungle. But a new generation of writers is pushing aside the fog of cigarette smoke surrounding classic noir scholarship. In 'Kiss the Blood Off My Hands', Robert Miklitsch curates a bold collection of essays that reassesses the genre's iconic style, history, and themes. |
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2. |
Record Nr. |
UNINA9910451589403321 |
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Autore |
Rabaka Reiland <1972-> |
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Titolo |
Hip hop's amnesia [[electronic resource] ] : from blues and the black women's club movement to rap and the hip hop movement / / Reiland Rabaka |
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Pubbl/distr/stampa |
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Lanham, Md., : Lexington Books, 2012 |
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ISBN |
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1-280-67145-9 |
9786613648389 |
0-7391-7493-2 |
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Descrizione fisica |
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1 online resource (386 p.) |
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Disciplina |
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Soggetti |
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Rap (Music) - History and criticism |
Hip-hop - United States |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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African American movement music : on hip hop's "partial or total loss of memory" surrounding classical black popular music and classical black popular movements -- "Back to the old school!" : on the "old school" origins and evolution of rap music, hip hop culture, and the hip hop movement -- "Lifting as we climb!" : classic blues queens and the black women's club movement, neo-soul sistas and the hip hop women's movement -- Jazzmatazz : from classic jazz and bebop to jazz rap and hip hop -- "If we must die!" : the new Negro movement, the Harlem renaissance, and the homosexual hip hop movement -- The hip hop movement : from merely rap music to a major multi-issue socio-political movement. |
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Sommario/riassunto |
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What did rap music and hip hop culture inherit from the spirituals, classic blues, ragtime, classic jazz, and bebop? What did rap music and hip hop culture inherit from the Black Women's Club Movement, New Negro Movement, Harlem Renaissance, Hipster Movement, and Black Muslim Movement? In Hip Hop's Amnesia award-winning author, |
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spoken-word artist, and multi-instrumentalist Reiland Rabaka answers these questions by rescuing and reclaiming the often-overlooked early twentieth century origins and evolution of rap music and h |
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