| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910451214103321 |
|
|
Autore |
Hammersley Martyn |
|
|
Titolo |
The dilemma of qualitative method : Herbert Blumer and the Chicago tradition / / Martyn Hammersley |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
London ; ; New York : , : Routledge, , 1989 |
|
|
|
|
|
|
|
ISBN |
|
1-134-97877-4 |
0-203-39290-6 |
1-134-97878-2 |
1-280-05368-2 |
1-138-17546-3 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (280 p.) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
|
|
Soggetti |
|
Chicago school of sociology |
Sociology - Methodology |
Electronic books. |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and indexes. |
|
|
|
|
|
|
Nota di contenuto |
|
Book Cover; Half-Title; Title; Copyright; Dedication; CONTENTS; FIGURES; ACKNOWLEDGEMENTS; INTRODUCTION; Chapter One PHILOSOPHY AND THE HUMAN SCIENCES IN THE NINETEENTH CENTURY; POSITIVISM; HISTORICISM; NEO-KANTIANISM; THE SOCIAL SCIENCES AT THE TURN OF THE CENTURY; Psychology; Economics; Sociology; Anthropology; CONCLUSION; Chapter Two PRAGMATISM; CHARLES SANDERS PEIRCE; WILLIAM JAMES; JOHN DEWEY; GEORGE HERBERT MEAD; CHARLES HORTON COOLEY; CONCLUSION; Chapter Three CHICAGO SOCIOLOGY; WILLIAM I.THOMAS: STUDYING THE SUBJECTIVE AND THE OBJECTIVE; ROBERT PARK AND CASE STUDY RESEARCH AT CHICAGO |
EXAMPLES OF CHICAGO CASE STUDIESTypes of data used; Neglect of methodological issues; BLUMER'S EMPIRICAL WORK; CONCLUSION; Chapter Four CASE STUDY VERSUS STATISTICS: THE RISE OF SOCIOLOGICAL POSITIVISM; THE ARGUMENTS OF THE SOCIOLOGICAL POSITIVISTS; CRITICS OF THE POSITIVISTS; CONCLUSION; Chapter Five |
|
|
|
|
|
|
|
|
|
|
|
AGAINST THE TREND: BLUMER'S CRITIQUE OF QUANTITATIVE METHOD; STATISTICAL METHOD; QUANTITATIVE MEASUREMENT OF SOCIAL PHENOMENA; THE ASSUMPTIONS UNDERLYING BLUMER'S CRITIQUE; Realism; Symbolic interactionism; Critical commonsensism; CONCLUSION; Chapter Six BLUMER'S CONCEPT OF SCIENCE |
THE THESIS OF 1928APPRAISAL OF THE POLISH PEASANT; CONCLUSION; Chapter Seven BLUMER'S ALTERNATIVE: NATURALISTIC RESEARCH; BLUMER'S DESCRIPTION OF NATURALISTIC METHOD; Exploration; Inspection; ANALYTIC INDUCTION; GROUNDED THEORIZING; THE PATTERN MODEL; CONCLUSION; Chapter Eight AN ASSESSMENT OF NATURALISTIC RESEARCH; BLUMER'S ACCOUNT; DOES NATURALISTIC RESEARCH SATISFY SCIENTIFIC CRITERIA?; Verstehen; Distinctiveness of social phenomena; IS NATURALISTIC RESEARCH CONSISTENT WITH SYMBOLIC INTERACTIONISM?; ANALYTIC INDUCTION; GROUNDED THEORY; THE PATTERN MODEL; WHAT IS TO BE DONE? |
RE-DEFINING SCIENCEDeveloping the pattern model; Other ways of redefining science; RE-DEFINING SYMBOLIC INTERACTIONISM; CONCLUSION; NOTES; REFERENCES; NAME INDEX; SUBJECT INDEX |
|
|
|
|
|
|
Sommario/riassunto |
|
First Published in 1990. Routledge is an imprint of Taylor & Francis, an informa company. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2. |
Record Nr. |
UNINA9910816223703321 |
|
|
Autore |
White R. S. <1948-> |
|
|
Titolo |
Avant-garde Hamlet : text, stage, screen / / R. S. White |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Madison, [New Jersey] : , : The Fairleigh Dickinson University Press |
|
Lanham : , : Rowman & Littlefield, , [2015] |
|
©2015 |
|
|
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (219 p.) |
|
|
|
|
|
|
Collana |
|
Shakespeare and the stage (Fairleigh Dickinson University Press) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Hamlet (Legendary character) |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Aspects of avant-garde -- Avant-garde Hamlet: then and now -- Hamlet as avant-garde text -- Hamlet and avant-garde literature -- On stage: Hamlet and avant-garde theatre -- On screen: Hamlet and film genres -- Epilogue. |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
Hamlet stands as a high water mark of canonical art, yet it has equally attracted rebels and experimenters, those avant-garde writers, dramatists, performers, and filmmakers who, in their adaptations and appropriations, seek new ways of expressing innovative and challenging thoughts in the hope that they can change perceptions of their own world. This partially explains the uncanny ability of Shakespeare's Hamlet to be "ever-now, ever-new." |
|
|
|
|
|
|
|
| |