|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910451072803321 |
|
|
Titolo |
Julia Kristeva, 1966-96 : aesthetics, politics, ethics / / guest editor, Griselda Pollock |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
London : , : Taylor & Francis, , 1998 |
|
|
|
|
|
|
|
ISBN |
|
1-135-73382-1 |
1-135-73383-X |
1-280-16505-7 |
9786610165056 |
0-203-98187-1 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (178 p.) |
|
|
|
|
|
|
Collana |
|
|
|
|
|
|
Altri autori (Persone) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Literature, Modern - History and criticism |
Electronic books. |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references. |
|
|
|
|
|
|
Nota di contenuto |
|
Book Cover; Half-Title; Copyright; Contents; Introduction; Dialogue with Julia Kristeva; Introduction; De L'étrangeté du Phallus ou le Féminin Entre Illusion et Désillusion; Experiencing the Phallus as Extraneous, or Women's Twofold Oedipus Complex; Strangers in Analysis: Nationalism and the Talking Cure; Three Images for Kristeva: From Bellini to Proust; To Inscribe in the Feminine: A Kristevan Impossibility? or Femininity, Melancholy and Sublimation; Transcendence, Fixation and Belief in the Vicissitudes of the Imaginary; Julia Kristeva and her histories; Book Reviews; Conference Report |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
In June 1996, the Centre for Cultural Studies hosted a conference entitled Aesthetics. Politics. Ethics: JuliaKristeva 1966-96. It was held at the Leeds City Art Gallery whose monumental neighbour is the equallynineteenth century structure of Cuthbert Broderick's Town Hall: the proximities of, and the tensionsbetween the state and culture are often the very topics of Cultural Studies. This conference could have beenhosted by one of several subgroups within the University of Leeds and the Department of Fine Art inparticular. As an art historian, I could have planned this event to consider the c |
|
|
|
|
|
|
|