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Record Nr. |
UNINA9910451052203321 |
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Titolo |
Readings in renaissance women's drama : criticism, history, and performance, 1594-1998 / / edited by S.P. Cerasano and Marion Wynne-Davies |
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Pubbl/distr/stampa |
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London ; ; New York : , : Routledge, , 1998 |
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ISBN |
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1-134-71187-5 |
0-203-27365-6 |
1-280-32988-2 |
0-203-04906-3 |
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Descrizione fisica |
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1 online resource (337 p.) |
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Altri autori (Persone) |
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CerasanoS. P |
Wynne-DaviesMarion |
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Disciplina |
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Soggetti |
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English drama - Women authors - History and criticism |
English drama - Early modern and Elizabethan, 1500-1600 - History and criticism |
Women and literature - England - History - 16th century |
Women and literature - England - History - 17th century |
English drama - 17th century - History and criticism |
Renaissance - England |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. 310-314) and index. |
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Nota di contenuto |
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Book Cover; Title; Contents; Preface; Acknowledgements; Permissions; Introduction; Early commentaries; Introduction; Mary Sidney is Praised to Elizabeth I (1594); John Davies of Hereford Commends Mary Sidney and Elizabeth Cary (1612); William Sheares to Elizabeth Cary (1633); Jonson and Wroth (1640); Elizabeth Cary's Biography (1643 9); The Cavalier's Lady and her Plays (1872); The First Scholarly Edition of Mary Sidney's Antonie (1897); The First Modern Edition of Mariam (1914); Early Critical Recognition of Elizabeth Cary and Margaret Cavendish (1920); Woolf on Margaret Cavendish (1925) |
Virginia Woolf on 'Judith Shakespeare' (1929)The First Edition of The Concealed Fancies (1931); Cary and 'A Woman's Duty' (1940); Mary |
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Sidney: Philip's Sister (1957); Contexts and issues; Introduction; Women playwrights in England: Renaissance noblewomen NANCY COTTON; The Arts at the English Court of Anna of Denmark LEEDS BARROLL; 'My seeled chamber and dark parlour room': the English country house and Renaissance women dramatists MARION WYNNE-DAVIES; Women as patrons of English Renaissance drama DAVID M.BERGERON; Women as spectators, spectacles, and paying customers JEAN E.HOWARD |
Women as theatrical investors: three shareholders and the second Fortune Playhouse S.P.CERASANO'Why may not a lady write a good play?': plays by Early Modern women reassessed as performance texts GWENO WILLIAMS; Early Modern women dramatists; Introduction; 'We princes, I tell you, are set on stages': Elizabeth I and dramatic self-representation CAROLE LEVIN; Joanna Lumley (1537?-1576/77) ELAINE V.BEILIN; Jane Lumley's Iphigenia at Aulis: multum in parvo, or, less is more STEPHANIE HODGSON-WRIGHT; 'Patronesse of the Muses' MARGARET P.HANNAY |
Mary Herbert: Englishing a purified Cleopatra TINA KRONTIRISElizabeth Cary (1585 1639) ELAINE V.BEILIN; The spectre of resistance: The Tragedy of Mariam (1613) MARGARET W.FERGUSON; Resisting tyrants: Elizabeth Cary's tragedy BARBARA KIEFER LEWALSKI; An unknown continent: Lady Mary Wroth's forgotten pastoral drama, 'Loves Victorie' MARGARET ANNE MCLAREN; 'Like one in a gay masque': the Sidney cousins in the theaters of court and country GARY WALLER |
'To be your daughter in your pen': the social functions of literature in the writings of Lady Elizabeth Brackley and Lady Jane Cavendish MARGARET J.M.EZELL'She gave you the civility of the house': household performance in The Concealed Fancies ALISON FINDLAY; 'My brain the stage': Margaret Cavendish and the fantasy of female performance SOPHIE TOMLINSON; 'A woman write a play!': Jonsonian strategies and the dramatic writings of Margaret Cavendish; or, did the duchess feel the anxiety of influence? JULIE SANDERS; Notes on contributors; Bibliography of secondary sources; Index |
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Sommario/riassunto |
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Readings in Renaissance Women's Drama is the most complete sourcebook for the study of this growing area of inquiry. It brings together, for the first time, a collection of the key critical commentaries and historical essays - both classic and contemporary - on Renaissance women's drama. Specifically designed to provide a comprehensive overview for students, teachers and scholars, this collection combines: * this century's key critical essays on drama by early modern women by early critics such as Virginia Woolf and T.S. Eliot * specially-commissioned new essays by some of tod |
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