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1. |
Record Nr. |
UNINA9910371257403321 |
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Titolo |
Tempo di intraprendere / Luca Alici, Silvia Pierosara (a cura di) ; interventi di Piermarco Aroli ... [et al.] |
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Pubbl/distr/stampa |
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Milano : FrancoAngeli, 2019 |
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ISBN |
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Descrizione fisica |
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Collana |
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Lavoro per la persona ; 4 |
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Disciplina |
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Locazione |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910450797803321 |
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Autore |
Morrison Paul (Paul A.) |
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Titolo |
The poetics of fascism [[electronic resource] ] : Ezra Pound, T.S. Eliot, Paul de Man / / Paul Morrison |
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Pubbl/distr/stampa |
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New York, : Oxford University Press, 1996 |
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ISBN |
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1-280-52671-8 |
0-19-535975-5 |
1-4294-1544-4 |
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Descrizione fisica |
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1 online resource (188 p.) |
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Disciplina |
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Soggetti |
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Fascism and literature - History |
Literature, Modern - 20th century - History and criticism - Theory, etc |
Modernism (Literature) - United States |
Poetics - History - 20th century |
Political poetry, American - History and criticism |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. 147-170) and index. |
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Nota di contenuto |
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Contents; 1. Modernism (for the Other People); 2. Ezra Pound: The Poetics of Money; Translatio, Translation, Transportation; Carceral Poetics; ""Jewspapers""; 3. T. S. Eliot: The Poetics of Failure; ""The name that the family use daily""; Cartesian Poetics; ""The corpse you planted""; 4. Paul de Man: The Poetics of Collaboration; Symmetrical Reversals; ""The unthinkable structure""; ""The best legacies""; Notes; Index; A; B; C; D; E; F; G; H; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z |
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Sommario/riassunto |
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Examining the modernist poetics of Ezra Pound and T.S. Eliot, this study traces their influence on the current crisis in post-structuralist literary theory. The author reveals a continuity between that theory and high modernism's tendency towards fascism. |
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