| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910450774503321 |
|
|
Titolo |
Henrik Ibsen : the critical heritage / / edited by Michael Egan |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
London : , : Routledge, , 1972 |
|
|
|
|
|
|
|
ISBN |
|
1-84702-322-3 |
0-415-56902-8 |
1-134-72293-1 |
1-280-32496-1 |
0-203-19659-7 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (521 p.) |
|
|
|
|
|
|
Collana |
|
The critical heritage series |
|
|
|
|
|
|
Altri autori (Persone) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Norwegian literature - 19th century |
Electronic books. |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
|
|
|
|
|
Nota di contenuto |
|
Cover; HENRIK IBSEN: THE CRITICAL HERITAGE; Title Page; Copyright Page; Table of Contents; PREFACE; ACKNOWLEDGMENTS; INTRODUCTION; NOTE ON THE TEXT; 1 EDMUND GOSSE on Ibsen's poetry, Spectator 1872; 2 EDMUND GOSSE on Peer Gynt, Spectator 1872; 3 EDMUND GOSSE on Ibsen's elaborate irony, Fortnightly Review 1873; 4 CATHERINE RAY on the conflict in Ibsen's work 1876; 5 Unsigned notice of Quicksands (The Pillars of Society), Theatre 1881; 6 RASMUS B. ANDERSON on Ibsen's genius, American 1882; 7 CLEMENS PETERSEN on Ibsen and Björnson, Scandinavia 1882 |
8 HENRIETTA FRANCES LORD on A Doll's House 18829 WILLIAM ARCHER on Mrs Lord's imperfections and An Enemy of the People, Academy 1883; 10 MRS LORD replies, Academy 1883; 11 T. A. SCHOVELIN on Kongsemnerne (The Pretenders), Scandinavia 1884; 12 WILLIAM ARCHER on Breaking a Butterfly (A Doll's House), Theatre 1884; 13 HAVELOCK ELLIS on the importance of Ibsen 1888; 14 EDMUND GOSSE on Ibsen's Social Dramas, Fortnightly Review 1889; 15 HENRY JAMES becomes interested 1889; 16 ARTHUR SYMONS on Ibsen's modernity, Universal Review 1889; A Doll's House (Novelty 1889) |
|
|
|
|
|
|
|
|
|
|
|
17 Unsigned notice by CLEMENT SCOTT, Daily Telegraph 188918 Unsigned notice, Daily News 1889; 19 Unsigned comment, Licensed Victuallers' Mirror 1889; 20 Unsigned notice, Queen 1889; 21 FREDERIC WEDMORE, from a review, Academy 1889; 22 C. H. HERFORD: reply to Wedmore's review, Academy 1889; 23 Unsigned notice, Spectator 1889; 24 CLEMENT SCOTT on Ibsen's unlovely creed, Theatre 1889; 25 WILLIAM ARCHER on newspaper reaction to Ibsen 1889; 26 JANET ACHURCH on the difficulty of being Nora 1889; The Pillars of Society (Opéra Comique 1889); 27 Unsigned notice, Daily News 1889 |
28 Unsigned notice by CLEMENT SCOTT, Daily Telegraph 188929 Unsigned notice, Daily Chronicle 1889; 30 Unsigned notice, Referee 1889; 31 Unsigned notice, Lloyd's Weekly News 1889; 32 Unsigned comment, Hawk 1889; 33 FREDERIC WEDMORE, from a notice, Academy 1889; 34 Unsigned notice, Queen 1889; 35 WILLIAM ARCHER on the absurdity of Mr. T. Weber 1890; 36 C. H. HERFORD on Rosmersholm and The Lady from the Sea, Academy 1890; 37 HJALMAR BOYESEN presents an American view of Ibsen 1890; 38 W. E. SIMONDS on Nora's selflessness, Dial 1890; 39 E. P. EVANS on Ibsen's cosmic emotion, Atlantic Monthly 1890 |
40 MRS H. F. LORD on the phases of the soul in Ghosts 189041 HENRY JAMES on Ibsen's provinciality 1890; 42 EDMUND GOSSE on Ibsen and American writers 1890; 43 Unsigned review of Emperor and Galilean, Saturday Review 1890; 44 An anonymous comment on the depravity of Ibsen, Edward Aveling and Ghosts, Saturday Review 1891; Rosmersholm (Vaudeville 1891); 45 Unsigned notice, Evening News and Post 1891; 46 Unsigned notice, Daily Chronicle 1891; 47 Editorial, Daily Chronicle 1891; 48 Unsigned notice, The Times 1891; 49 Unsigned notice, Daily News 1891 |
50 Unsigned notice by CLEMENT SCOTT, Daily Telegraph 1891 |
|
|
|
|
|
|
Sommario/riassunto |
|
This set comprises 40 volumes covering 19th and 20th century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set complements the first 68 volume set of Critical Heritage published by Routledge in October 1995. |
|
|
|
|
|
|
|
| |