1.

Record Nr.

UNISA990001990690203316

Titolo

3. : Kausitaki, Aitareya, Taittiriya, Maitry, Kena, Prasna, Mundaka / [introduzione, traduzione e note di Pio Filippani-Ronconi]

Pubbl/distr/stampa

Torino : Boringhieri, 1960

Descrizione fisica

227 p. ; 23 cm

Collana

Enciclopedia di autori classici ; 56

Collocazione

II.1 Coll.17/ 10/3(IV A Coll. 32/56 3)

Lingua di pubblicazione

Italiano

Formato

Materiale a stampa

Livello bibliografico

Monografia

2.

Record Nr.

UNINA9910450603203321

Autore

Hardy Barbara Nathan

Titolo

Thomas Hardy [[electronic resource] ] : imagining imagination : Hardy's poetry and fiction / / Barbara Hardy

Pubbl/distr/stampa

London ; ; New Brunswick, NJ, : Athlone Press

Somerset, N.J., : Distributed in the U.S. by Transaction Publishers, 2000

ISBN

1-281-29179-X

9786611291792

1-84714-397-0

Descrizione fisica

1 online resource (235 p.)

Disciplina

823/.8

Soggetti

Imagination in literature

Imagination

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Contents; Acknowledgements; References; Introduction; 1. Portraits of the Artist in the Novels; 2. Centres of Creativity in the Novels; 3. Good



Times injude the Obscure: Constructing Fictions; 4. Portraits of the Artist in the Poems; 5. Arts of Conversation; 6. The Poetry of Place; 7. Sexual Imagination: the Monologues; 8. Thresholds and Limits; Notes; Select Booklist; Index

Sommario/riassunto

The author offers close readings of Thomas Hardy's poetry and novels, regarding these as expressive forms of everyday and professional acts of the imagination. Hardy is placed in the long tradition of writers who subject is not art but imagination and whose most interesting aesthetic introspectionÆs, like those of Jane Austen and George Eliot, are oblique or sub-textual. So what the reader follows here is Hardy's imagining of imagination in his elegies and nature poems and in his major characters from Gabriel Oak to Tess and Jude.The themes and forms examined by Barbara Hardy include narrative

3.

Record Nr.

UNINA9910961493903321

Autore

Cornoldi Cesare

Titolo

Stretching the imagination : representation and transformation in mental imagery / / Cesare Cornoldi [and others]

Pubbl/distr/stampa

New York : , : Oxford University Press, , 2023

ISBN

0-19-773691-2

0-19-802600-5

1-280-45161-0

0-19-535673-X

1-4237-3573-0

Edizione

[1st ed.]

Descrizione fisica

1 online resource (206 p.)

Collana

Counterpoints

Oxford scholarship online

Disciplina

153.3/2

Soggetti

Mental representation

Perception

Imagery (Psychology)

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Previously issued in print: 1996.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Contents; 1. Counterpoints in Perception and Mental Imagery:



Introduction; 2. When Imagery Fails: Effects of Verbal Receding on Accessibility of Visual Memories; 3. The Many Faces of Mental Images; 4. The Nonambiguity of Mental Images; 5. Ducks, Rabbits, and Hedgehogs: Resolution, Impasse, or Fostered Debate?; Index; A; B; C; D; E; F; G; H; I; L; M; N; O; P; R; S; T; U; V; W

Sommario/riassunto

This is the first volume in the Counterpoints Series, which explores the issues being debated in psychology, child development, linguistics, and neuroscience. Each volume consists of the presentation of three or four extensive chapters by researchers representing key points of view on the issue. This text examines one of the liveliest areas of debate in psychology today, the relationship between perception and mental imagery. A variety of recent studies have pointed to the existence of a strong relationship between memory and mental representation, while others have shown that images are open