1.

Record Nr.

UNINA9910450551503321

Autore

Milnes Tim

Titolo

Knowledge and indifference in English Romantic prose / / Tim Milnes [[electronic resource]]

Pubbl/distr/stampa

Cambridge : , : Cambridge University Press, , 2003

ISBN

1-107-13250-9

0-521-03595-3

1-280-16104-3

1-139-14778-1

0-511-12017-6

0-511-05803-9

0-511-33055-3

0-511-48440-2

0-511-07282-1

Descrizione fisica

1 online resource (viii, 278 pages) : digital, PDF file(s)

Collana

Cambridge studies in Romanticism ; ; 55

Disciplina

828/.709384

Soggetti

English prose literature - 19th century - History and criticism

Romanticism - Great Britain

Knowledge, Theory of, in literature

Apathy in literature

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

Nota di bibliografia

Includes bibliographical references (p. 254-271) and index.

Nota di contenuto

Romanticism's knowing ways -- From artistic to epistemic creation: the eighteenth century -- Charm of logic: Wordsworth's prose -- Dry romance: Hazlitt's immanent idealism -- Coleridge and the new foundationalism -- End of knowledge: Coleridge and theosophy -- Conclusion: life without knowledge.

Sommario/riassunto

This 2003 study sheds light on the way in which the English Romantics dealt with the basic problems of knowledge, particularly as they inherited them from the philosopher David Hume. Kant complained that the failure of philosophy in the eighteenth century to answer empirical scepticism had produced a culture of 'indifferentism'. Tim Milnes explores the way in which Romantic writers extended this epistemic



indifference through their resistance to argumentation, and finds that it exists in a perpetual state of tension with a compulsion to know. This tension is most clearly evident in the prose writing of the period, in works such as Wordsworth's Preface to Lyrical Ballads, Hazlitt's Essay on the Principles of Human Action and Coleridge's Biographia Literaria. Milnes argues that it is in their oscillation between knowledge and indifference that the Romantics prefigure the ambivalent negotiations of modern post-analytic philosophy.