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1. |
Record Nr. |
UNINA990001326440403321 |
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Autore |
Feistauer, M. |
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Titolo |
Mathematical Methods in Fluid Dynamics / M. Feistauer |
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Pubbl/distr/stampa |
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Harlow (UK) : Longman, c1993 |
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Descrizione fisica |
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Collana |
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Pitman monographs and surveys in pure and applied mathematics ; 67 |
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Locazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910450454303321 |
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Titolo |
History and memory in African-American culture [[electronic resource] /] / edited by Geneviève Fabre, Robert O'Meally |
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Pubbl/distr/stampa |
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New York, : Oxford University Press, 1994 |
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ISBN |
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0-19-802455-X |
1-280-44361-8 |
1-4237-3887-X |
0-19-535924-0 |
1-60129-941-9 |
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Descrizione fisica |
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1 online resource (332 p.) |
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Altri autori (Persone) |
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FabreGeneviève |
O'MeallyRobert G. <1948-> |
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Disciplina |
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Soggetti |
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African Americans - History |
African Americans - Historiography |
African American arts |
American literature - African American authors |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Contents; 1. Introduction; 2. The Black Writer's Use of Memory; 3. The Politics of Fiction, Anthropology, and the Folk: Zora Neale Hurston; 4. W. E. B. Du Bois and the Struggle for American Historical Memory; 5. African-American Commemorative Celebrations in the Nineteenth Century; 6. National Identity and Ethnic Diversity: ""Of Plymouth Rock and Jamestown and Ellis Island""; or, Ethnic Literature and Some Redefinitions of America; 7. International Beacons of African-American Memory: Alexandre Dumas père, Henry O. Tanner, and Josephine Baker as Examples of Recognition |
8. On the Wrong Side of the Fence: Racial Segregation in American Cemeteries9. What One Cannot Remember Mistakenly; 10. History-Telling and Time: An Example from Kentucky; 11. Memory and Mass Culture; 12. Performing the Memory of Difference in Afro-Caribbean Dance: Katherine Dunham's Choreography, 1938-87; 13. ""With a Whip in His Hand"": Rape, Memory, and African-American Women; 14. Sherley Anne Williams' Dessa Rose: History and the Disruptive Power of Memory; 15. Art History and Black Memory: Toward a ""Blues Aesthetic""; 16. On Burke and the Vernacular: Ralph Ellison's Boomerang of History |
17. The Journals of Charlotte L. Forten-Grimké: Les Lieux de Mémoire in African-American Women's Autobiography18. Washington Park; 19. Between Memory and History: Les Lieux de Mémoire; Contributors; Index |
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Sommario/riassunto |
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As Nathan Huggins once stated, altering American history to account fully for the nation's black voices would change the tone and meaning--the frame and the substance--of the entire story. Rather than a sort of Pilgrim's Progress tale of bold ascent and triumph, American history with the black parts told in full would be transmuted into an existential tragedy, closer, Huggins said, to Sartre's No Exit than to the vision of life in Bunyan. The relation between memory and history has received increasing attention both from historians and from literary critics. In this volume, a group of leading |
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3. |
Record Nr. |
UNINA9910789732103321 |
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Autore |
Jung C. G. |
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Titolo |
Introduction to Jungian Psychology : Notes of the Seminar on Analytical Psychology Given in 1925 / / C. G. Jung; William McGuire |
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Pubbl/distr/stampa |
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Princeton, NJ : , : Princeton University Press, , [2011] |
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©2012 |
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ISBN |
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1-283-37997-X |
9786613379979 |
1-4008-3983-1 |
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Edizione |
[With a New introduction and updates by Sonu Shamdasani] |
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Descrizione fisica |
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1 online resource (245 p.) |
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Collana |
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Philemon Foundation Series ; ; 3 |
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Altri autori (Persone) |
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HullR. F.C |
ShamdasaniSonu |
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Disciplina |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Rev. ed. of: Analytical psychology : notes of the seminar given in 1925 / by C.G. Jung ; edited by William McGuire. c1989. |
Includes indexes. |
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Nota di contenuto |
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Frontmatter -- Contents -- Preface to the 2012 Philemon Series Edition, by Sonu Shamdasani -- Introduction / Shamdasani, Sonu -- Introduction to the 1989 Edition / McGuire, William -- Acknowledgments -- Members of the Seminar -- List of Abbreviations -- Foreword / Angulo, Cary F. de -- Lecture 1 -- Lecture 2 -- Lecture 3 -- Lecture 4 -- Lecture 5 -- Lecture 6 -- Lecture 7 -- Lecture 8 -- Lecture 9 -- Lecture 10 -- Lecture 11 -- Lecture 12 -- Lecture 13 -- Lecture 14 -- Lecture 15 -- Lecture 16 -- Lecture 16 -- Appendix to Lecture 16 -- "She" -- "The Evil Vineyard" -- "L'Atlantide" -- Indexes -- 1. General Index -- 2. Cases In Summary -- 3. Dreams, Fantasies, And Visions -- 4. Chronological Index of Jung's Works Cited and Discussed -- The Collected Works Of C. G. Jung -- Backmatter |
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Sommario/riassunto |
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In 1925, while transcribing and painting in his Red Book, C. G. Jung presented a series of seminars in English in which he spoke for the first time in public about his early spiritualistic experiences, his encounter with Freud, the genesis of his psychology, and the self-experimentation he called his "confrontation with the unconscious," |
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describing in detail a number of pivotal dreams and fantasies. He then presented an introductory overview of his ideas about psychological typology and the archetypes of the collective unconscious, illustrated with case material and discussions concerning contemporary art. He focused particularly on the contra-sexual elements of the personality, the anima and the animus, which he discussed with the participants through psychological analyses of popular novels, such as Rider Haggard's She. The notes from these seminars form the only reliable published autobiographical account by Jung and the clearest and most important account of the development of his work. This revised edition features additional annotations, information from the Red Book, and an introduction by Sonu Shamdasani, Philemon Professor of Jung History at University College London. |
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