|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910450423603321 |
|
|
Titolo |
Captive audience : prison and captivity in contemporary theater / / edited by Thomas Fahy and Kimball King |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
New York : , : Routledge, , 2003 |
|
|
|
|
|
|
|
ISBN |
|
1-135-88894-9 |
1-135-88895-7 |
0-415-76258-8 |
1-280-04794-1 |
0-203-49485-7 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (207 p.) |
|
|
|
|
|
|
Collana |
|
Studies in modern drama ; ; 19 |
|
|
|
|
|
|
Altri autori (Persone) |
|
FahyThomas Richard |
KingKimball |
|
|
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
|
|
Soggetti |
|
Drama - 20th century - History and criticism |
Prisons in literature |
Prisoners in literature |
Imprisonment in literature |
Electronic books. |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Book Cover; Title; Contents; General Editor's Note; CAPTIVE AUDIENCE: AN INTRODUCTION; THE CONFESSIONAL VOICE: MEDEA'S BRUTAL IMAGINATION; EMOTIONAL CONTRABAND: PRISON AS METAPHOR AND MEANINGIN U.S. LATINA DRAMA; SEEING ETHNICITY: THE IMPACT OF RACE AND CLASS ON THE CRITICAL RECEPTION OF MIGUEL PIERO'S SHORT EYES; ON PRISONS IN THE UNITED STATES: EXTRACT FROM A SPEECH DELIVERED TO THE CONFEDERATION OF ANALYTICAL PSYCHOLOGISTS, LONDON, 25 JUNE 1999; HAROLD PINTER'S PRISON HOUSE: THE SCREENPLAY OF KAFKA'S THE TRIAL; HAROLD PINTER'S THE HANDMAID'S TALE: FREEDOM, PRISON, AND A HIJACKED SCRIPT |
~A WORLD OF BODIES~: PERFORMING FLESH IN MARAT/SADETHE DISPOSAL: WILLIAM INGE'S ABJECT DRAMA; ~IN DARK CORNERS~: |
|
|
|
|