|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910450371303321 |
|
|
Autore |
Richards Thomas <1962-> |
|
|
Titolo |
At work with Grotowski on physical actions [[electronic resource] /] / Thomas Richards ; with a preface and the essay "From the theatre company to art as vehicle" by Jerzy Grotowski |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
London ; ; New York, : Routledge, 1995 |
|
|
|
|
|
|
|
ISBN |
|
1-134-80245-5 |
0-203-37699-4 |
1-280-54350-7 |
0-203-36023-0 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (146 p.) |
|
|
|
|
|
|
Altri autori (Persone) |
|
GrotowskiJerzy <1933-1999.> |
|
|
|
|
|
|
Disciplina |
|
792.0233092 |
792/.0233/092 |
|
|
|
|
|
|
|
|
Soggetti |
|
Theater - Production and direction |
Electronic books. |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references. |
|
|
|
|
|
|
Nota di contenuto |
|
Book Cover; Title; Contents; Preface by; At Work with Grotowski on Physical Actions by; STANISLAVSKI AND GROTOWSKI: THE CONNECTION; RYSZARD CIESLAK AT YALE; THE WORKSHOP AT THE OBJECTIVE DRAMA PROGRAM; IN NEW YORK; GROTOWSKI SPEAKS AT HUNTER COLLEGE; THE WORK AT BOTINACCIO: AN ATTACK ON DILETTANTISM; ONE YEAR WITH GROTOWSKI IN OBJECTIVE DRAMA; AT THE WORKCENTER OF JERZY GROTOWSKI; BEGINNING STAGES; GROTOWSKI VS. STANISLAVSKI: THE IMPULSES; ""REALISTIC"" ACTIONS IN EVERYDAY LIFE; CONCLUSION ON ~REALISTIC~ ACTIONS; Notes; Quoted texts; From the Theatre Company to Art as Vehicle by |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
`I consider this book a precious report that permits one to assimilate some of those simple and basic principles which the self-taught at times come to know, yet only after years of groping and errors. The book furnishes information regarding discoveries which the actor can understand in practice, without having to start each time from zero. Thomas Richards has worked with me systematically since 1985. Today he is my essential collaborator in the research dedicated to Art as |
|
|
|
|