|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910450333103321 |
|
|
Autore |
Smith Charlotte <1749-1806.> |
|
|
Titolo |
The collected letters of Charlotte Smith [[electronic resource] /] / [edited by] Judith Phillips Stanton |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Bloomington, : Indiana University Press, c2003 |
|
|
|
|
|
|
|
ISBN |
|
1-282-07241-2 |
9786612072413 |
0-253-11059-9 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (865 p.) |
|
|
|
|
|
|
Altri autori (Persone) |
|
StantonJudith Phillips <1946-> |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Authors, English - 18th century |
Electronic books. |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references (p. [783]-[786]) and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Acknowledgments; Introduction to Charlotte Smith's Letters; Charlotte Smith as an Author; Friendships; Smith's Husband and Children in the Letters; The Business of Richard Smith's Will; Charlotte Smith's Character; Charlotte Smith's Achievement; Sources of Charlotte Smith's Letters; Textual Principles; Holograph Letters; Copies and Printed Sources; Headings and Postscripts to Letters; Annotation; Chronology; Genealogical Chart; 1765-83"THE HORROR OF THE ABYSS"; 1784-90"TO LIVE ONLY TO WRITE & WRITE ONLY TO LIVE"; 1791-92"HOPE LONG DELAY'D"; 1793"A NEW COURSE OF SUFFERING" |
1794"A STATE OF ANXIETY"1795"OVERWHELMD WITH SORROW"; 1796"A WANDERER UPON EARTH"; 1797"A NECESSITOUS AUTHOR"; 1798-1800"LORD EGREMONTS EXTRAORDINARY KINDNESS"; 1801"DOMESTIC MISERIES"; 1802"PETTY DUNS & CONTINUAL WANT"; 1803"AN HOUSELESS BEGGAR"; 1804"THE BEST OF THE BUNCH"; 1805-1806"A PRISON & A GRAVE"; EPILOGUE"NOTHING BUT THE WIND"; Appendix; Biographical Notes; Works Consulted; Index |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
One of the most popular poets of her time, Charlotte Smith revived the sonnet form in England, influencing Wordsworth and Keats. Equally popular as a novelist, she experimented with many genres, and even her children's books were highly regarded by her |
|
|
|
|