1.

Record Nr.

UNISA990000832610203316

Autore

ORTOLEVA, Peppino

Titolo

Storia dell'età contemporanea / Peppino Ortoleva, Marco Rivelli

Pubbl/distr/stampa

Milano : Edizioni scolastiche B. Mondadori, 1988

ISBN

88-424-4343-3

Edizione

[n.ed.]

Descrizione fisica

718 p. : ill. ; 26 cm

Altri autori (Persone)

REVELLI, Marco

Disciplina

909.8

Soggetti

Storia moderna e contemporanea -- Sec. 19.-20

Collocazione

III E 1832 A

III E 1832BIS

Lingua di pubblicazione

Italiano

Formato

Materiale a stampa

Livello bibliografico

Monografia



2.

Record Nr.

UNINA9910450291403321

Autore

Etherington Kim

Titolo

Becoming a reflexive researcher [[electronic resource] ] : using our selves in research / / Kim Etherington

Pubbl/distr/stampa

London ; ; Philadelphia, PA, : Jessica Kingsley Publishers, 2004

ISBN

1-280-26671-6

9786610266715

1-84642-013-X

1-4237-1059-2

Descrizione fisica

1 online resource (286 p.)

Disciplina

150/.72

Soggetti

Counseling - Research - Methodology

Counselors - Psychology

Psychology - Biographical methods

Psychotherapists - Psychology

Psychotherapy - Research - Methodology

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Becoming a Reflexive Researcher:Using Our Selves in Research; Contents; Preface: In the Beginning is My Ending...; Part 1:Bringing Theories Alive; 1.Introduction; 2. Reflexivity: Meanings and Other Matters; 3.Everything but the Kitchen Sink; 4.Re-telling Stories of 'Everythingbut the Kitchen Sink'; 5.Methodologies and Methods; Endnote to Part 1Beware; Part 2:The Masters Stage of the Journey; 6. A Personal Journey: My Masters Stage; 7.The Supervisor's Role in ReflexiveResearch at the Masters Stage; 8.Heuristic Inquiry as a Vehiclefor Growth and Development; 9.Keeping a ReflexiveResearch Journal

10.Autoethnography11.Using Creativityin Autoethnography; Endnote to Part 2:Talking to the world(from Mel's conversation with me); Part 3:The Doctoral Stages; 12.The PhD Student-SupervisorRelationship; 13.Connecting DoctoralResearch Topics to Ourselves; 14.Stories of Liberationand Independence; 15.Too Close To Home:A Dilemma of



Involvement; 16.Reflexive Embodied Research; 17.Ethical Relationshipsin Reflexive Research; Part 4:The Postdoctoral Stages; 18.Being a ReflexivePostdoctoral Researcher; Endnote to Part 4:A Dream; References; Subject Index; Author Index

Sommario/riassunto

In this book, Kim Etherington uses a range of narratives to show the reader how reflexive research works in practice, linking this with underpinning philosophies. Placing her own journey as a researcher alongside others, she suggests that recognising the role of self in research can open up opportunities for creative and personal transformations.

3.

Record Nr.

UNINA9910495700503321

Autore

Adam Renaud

Titolo

La fabrique du patrimoine écrit : Objets, acteurs, usages sociaux / / Fabienne Henryot

Pubbl/distr/stampa

Villeurbanne, : Presses de l’enssib, 2020

ISBN

2-37546-125-8

Descrizione fisica

1 online resource (312 p.)

Collana

Papiers

Altri autori (Persone)

BercegeayMarie-Sophie

BideranJessica de

BoulaireCécile

Castagnet-LarsVéronique

GalleriClaudio

GiordanengoClaire

HaquetClaire

HenryotFabienne

KrumenackerYves

MarshallAlan

MartinPhilippe

NaasLaurent

PasqualeAndrea De

PébayleEmmanuelle Chevry

Réach-NgôAnne

RégimbeauGérard

Soggetti

Information Science & Library Science

patrimoine

médiation

musées et bibliothèques

transmission



Lingua di pubblicazione

Francese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Sommario/riassunto

À l’exception d’œuvres de prestige, au premier rang desquelles le public pense aux manuscrits, les objets textuels ne « naissent pas patrimoniaux », ils le deviennent. À partir de plusieurs exemples, littérature de jeunesse, bibliothèque bleue, écrits protestants, presse régionale, etc., les auteurs, universitaires et professionnels des bibliothèques, montrent comment le travail scientifique ou technique conduit à l’affirmation du caractère patrimonial des œuvres, des collections, et même des établissements.  Cet ouvrage invite aussi à réfléchir sur le sens des activités professionnelles, pour n’être pas dupe des pratiques lexicales et sociales qui sont au cœur du « patrimoine ».