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1. |
Record Nr. |
UNINA9910450265303321 |
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Titolo |
Audience and publics [[electronic resource] ] : when cultural engagement matters for the public sphere / / edited by Sonia Livingstone |
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Pubbl/distr/stampa |
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Bristol ; ; Portland, OR, : Intellect Books, 2005 |
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ISBN |
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1-280-47708-3 |
9786610477081 |
1-84150-923-X |
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Descrizione fisica |
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1 online resource (250 p.) |
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Collana |
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Changing media--changing Europe series ; ; v. 2 |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Mass media - Europe |
Mass media - Social aspects |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Foreword; Contents; Author Biographies; Sonia Livingstone - Introduction; Sonia Livingstone - Chapter 1: On the relation between audiences and publics1; Daniel Dayan - Chapter 2: Mothers, midwives and abortionists: genealogy, obstetrics, audiences & publics; Dominique Mehl - Chapter 3: The public on the television screen: towards a public sphere of exhibition; Mirca Madianou Chapter 4: The elusive public of television news; Ulrike Hanna Meinhof - Chapter 5: Initiating a public: Malagasy music and live audiences in differentiated cultural contexts |
Roberta Pearson and Máire Messenger Davies - Chapter 6: Class acts? Public and private values and the cultural habits of theatre-goersSonia Livingstone - Chapter 7: In defence of privacy: mediating the public/private boundary at home; Kirsten Drotner Chapter 8: Media on the move: personalised media and the transformation of publicness; Ulrike Hanna Meinhof - Appendix: Audiences and publics: comparing semantic fields across different languages; Index |
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Sommario/riassunto |
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In today's thoroughly mass-mediated world, audiences and publics are, |
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of course, composed of the same people. Yet social science traditionally treats them quite differently. Indeed, it is commonplace to define audiences in opposition to the public: in both popular and elite discourses, audiences are denigrated as trivial, passive, individualised, while publics are valued as active, critically engaged and politically significant. |
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2. |
Record Nr. |
UNINA9910463836603321 |
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Autore |
Amsden Dora |
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Titolo |
Ukiyo-E / / Dora Amsden and Woldermar von Seidlitz |
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Pubbl/distr/stampa |
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New York : , : Parkstone International, , [2014] |
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ISBN |
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Descrizione fisica |
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1 online resource (518 p.) |
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Disciplina |
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Soggetti |
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Color prints, Japanese |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di contenuto |
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Chronology; Theatre; Women; Gods; Humour; Polarity of Man and Woman; Index |
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Sommario/riassunto |
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Ukiyo-e ('pictures of the floating world') is a branch of Japanese art which originated during the period of prosperity in Edo (1615-1868). Characteristic of this period, the prints are the collective work of an artist, an engraver, and a printer. Created on account of their low cost thanks to the progression of the technique, they represent daily life, women, actors of kabuki theatre, or even sumo wrestlers. Landscape would also later establish itself as a favourite subject. Moronobu, the founder, Shunsho, Utamaro, Hokusai, and even Hiroshige are the most widely-celebrated artists of the move |
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