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Record Nr. |
UNINA9910450265003321 |
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Autore |
Knill Paolo J |
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Titolo |
Principles and practice of expressive arts therapy [[electronic resource] ] : towards a therapeutic aesthetics / / Paolo J. Knill, Ellen G. Levine and Stephen K. Levine |
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Pubbl/distr/stampa |
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Philadelphia, PA, : Jessica Kingsley Publishers, 2005 |
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ISBN |
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1-280-26702-X |
9786610267026 |
1-84642-032-6 |
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Edizione |
[1st American pbk. ed.] |
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Descrizione fisica |
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1 online resource (266 p.) |
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Altri autori (Persone) |
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LevineEllen G |
LevineStephen K |
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Disciplina |
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Soggetti |
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Art therapy - Philosophy |
Arts - Therapeutic use |
Creation (Literary, artistic, etc.) - Therapeutic use |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Principles and Practice of Expressive Arts Therapy: Toward a Therapeutic Aesthetics; Contents; Introduction by Stephen K. Levine; 1. The Philosophy of Expressive Arts Therapy: Poiesis as a Response to the World by Stephen K. Levine; Introduction; Therapeutic practice and the critique of modernism; Modernity and the mind-body split; Phenomenology and the overcoming of Cartesian dualism; Phenomenology and existence: being-in-the-world; World and earth: art as a setting-into-work of truth; Poiesis as a basis for the Menschenbild of expressive arts therapy; Poiesis, chaos and liminal experience |
Liminality in the therapeutic processLiminality and transitional experience; Archetypal psychology and the imagination; Post-modernism and a deconstructed psychology of the imagination; Trauma and the work of art; Aesthetics after Auschwitz; Conclusion; References; 2. Foundations for a Theory of Practice by Paolo J. Knill; PART 1: DECENTERING AND THE ALTERNATIVE EXPERIENCE OF WORLD: |
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CONTINUITIES IN THE PRACTICE OF CHANGE AGENTS; The rites of restoration: architecture, role and setting; Decentering, an indispensable condition for alternative world experiences |
PART II: ENGAGING THE ARTS AND PLAY MAKES A DIFFERENCEWhat does it mean to "exercise" the arts or play in decentering, and how is it different from other decentering methods?; Providing a range of play: Spielraum as an indispensable condition for an alternative world experience; How do the arts provide the disciplined range of play?; PART III: THE THEORY OF PRACTICE; The heart of a session, the arts; Interdisciplinary considerations (compare Knill et al. 1995); Intervention; Interpretation and reflection; Architectural considerations; Administering the artistic process; References |
3. The Practice of Expressive Arts Therapy: Training, Therapy and Supervision by Ellen G. LevinePART I: TRAINING IN THE PRACTICE OF AN AESTHETIC THERAPY; Group painting in a training process: structuring and destructuring through the arts; The Horny Clay: dismembering and re-membering; Clowning as an intermodal expressive art: training therapists through clown; Music as a way of working through conflict in a training group; PART II: THE PRACTICE OF AN AESTHETIC THERAPY; Farah: breaking free and separating; Robert: playing with power; Jack: to the rescue; Sue and Sam: deadlock and struggle |
Playing with order and chaos: a children's play and arts therapy groupMusic as an instrument of order in chaos; PART III: SUPERVISION OF THE PRACTICE OF AN AESTHETIC THERAPY; Learning through the arts: group supervision of expressive arts therapy trainees; Seeing and playing together: group supervision of a multidisciplinary training group; Conclusion; References; About the Authors; Subject Index; Author Index |
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Sommario/riassunto |
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This book lays the foundation for a fresh interpretation of art-making and the therapeutic process by re-examining the concept of poiesis. The authors clarify the methodology and theory of practice with a focus on intermodal therapy, crystallization theory and polyaesthetics, and give guidance on the didactics of acquiring practical skills. |
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