|
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910450090903321 |
|
|
Autore |
Retallack Joan |
|
|
Titolo |
The Poethical Wager [[electronic resource]] |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Berkeley, : University of California Press, 2004 |
|
|
|
|
|
|
|
ISBN |
|
1-282-76239-7 |
9786612762390 |
0-520-93523-3 |
1-59734-811-2 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (293 p.) |
|
|
|
|
|
|
Disciplina |
|
809.93352042 |
809/.93352042 |
|
|
|
|
|
|
|
|
Soggetti |
|
Feminism and literature |
Literature and morals |
Literature, Modern |
Literature, Modern - History and criticism |
Women in literature |
Electronic books. |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di contenuto |
|
Cover; Contents; Acknowledgments; Introduction: Essay as Wager; The Poethical Wager; Wager as Essay; Blue Notes on the Know Ledge; Poethics of the Improbable: Rosmarie Waldrop and the Uses of Form; The Experimental Feminine; The Scarlet Aitch: Twenty-Six Notes on the Experimental Feminine; :RE:THINKING:LITERARY:FEMINISM: (three essays onto shaky grounds); The Difficulties of Gertrude Stein, I & II; Four on Cage; Geometries of Attention; Fig. 1, Ground Zero, Fig. 2: John Cage-May 18, 2005; Poethics of a Complex Realism; UNCAGED WORDS: John Cage in Dialogue with Chance; Notes; Bibliography |
Acknowledgments of PermissionsIndex; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
In these highly inventive essays, Joan Retallack, acclaimed poet and essayist, conveys her unique post-utopian vision as she explores the relationship between art and life in today's chaotic world. In the |
|
|
|
|
|
|
|
|
|
|
tradition of the essay as complex humanist exploration, she engages ideas from across history: Aristotle's definition of happiness, Epicurus's swerve into unpredictable possibility, Montaigne's essays as an instrument of self-invention, John Cage's redefinition of Silence. Within her unifying rubric of poethics, Retallack gives the reader plenty of surprises with a wonderful range of examples |
|
|
|
|
|
| |