1.

Record Nr.

UNINA990009297090403321

Autore

Petrarca, Francesco <1304-1374>

Titolo

Invective contra medicum Invectiva contra quendam magni status hominem sed nullius scientie aut virtutis / Francesco Petrarca ; a cura di Francesco Bausi

Pubbl/distr/stampa

Firenze : Le Lettere, 2005

ISBN

88-7166-939-8

Descrizione fisica

214 p. ; 21 cm

Disciplina

878.0408

Locazione

FLFBC

Collocazione

851.1 PETR 17(1)

Lingua di pubblicazione

Italiano

Latino

Formato

Materiale a stampa

Livello bibliografico

Monografia



2.

Record Nr.

UNINA9910450078103321

Autore

Wasson Haidee <1970->

Titolo

Museum movies [[electronic resource] ] : the museum of modern art and the birth of art cinema / / Haidee Wasson

Pubbl/distr/stampa

Berkeley, : University of California Press, 2005

ISBN

1-282-76303-2

9786612763038

0-520-93783-X

1-59875-534-X

Descrizione fisica

1 online resource (331 p.)

Disciplina

026/.79143/097471

Soggetti

Motion pictures - Preservation - United States

Motion pictures - United States - History

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Front matter -- Contents -- Illustrations -- Acknowledgments -- 1. Making Cinema A Modern Art -- 2. Mannered Cinema/ Mobile Theaters -- 3. The Mass Museology Of The Modern -- 4. An Awkward And Dangerous Task -- 5. Rearguard Exhibition -- 6. Enduring Legacies -- Appendix: Film Programs Of The Museum Of Modern Art, 1934-1949 -- Notes -- Bibliography -- Index

Sommario/riassunto

Haidee Wasson provides a rich cultural history of cinema's transformation from a passing amusement to an enduring art form by mapping the creation of the Film Library of the Museum of Modern Art (MoMA), New York, established in 1935. The first North American film archive and museum, the film library pioneered an expansive moving image network, comprising popular, abstract, animated, American, Canadian, and European films. More than a repository, MoMA circulated these films nationally and internationally, connecting the modern art museum to universities, libraries, women's clubs, unions, archives, and department stores. Under the aegis of the museum, cinema also changed. Like books, paintings, and photographs, films became discrete objects, integral to thinking about art, history, and the politics



of modern life.