1.

Record Nr.

UNINA9910449775203321

Autore

Whale John C.

Titolo

Imagination under pressure, 1789-1832 : aesthetics, politics, and utility / / John Whale [[electronic resource]]

Pubbl/distr/stampa

Cambridge : , : Cambridge University Press, , 2000

ISBN

1-107-11959-6

0-511-01071-0

1-280-15468-3

0-511-11840-6

0-511-15110-1

0-511-31046-3

0-511-48468-2

0-511-04970-6

Descrizione fisica

1 online resource (xii, 240 pages) : digital, PDF file(s)

Collana

Cambridge studies in Romanticism ; ; 39

Disciplina

820.9/358

Soggetti

English literature - 19th century - History and criticism

Politics and literature - Great Britain - History - 19th century

Politics and literature - Great Britain - History - 18th century

English literature - 18th century - History and criticism

Political science - Great Britain - History - 19th century

Political science - Great Britain - History - 18th century

Utilitarianism - Great Britain - History

Romanticism - Great Britain

Aesthetics, British

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

Nota di bibliografia

Includes bibliographical references (p. 227-236) and index.

Nota di contenuto

Burke and the civic imagination -- Paine's attack on artifice -- Wollstonecraft, imagination, and futurity -- Hazlitt and the limits of the sympathetic imagination -- Cobbett's imaginary landscape -- Coleridge and the afterlife of imagination.

Sommario/riassunto

This ambitious study, first published in 2000, offers a radical reassessment of one of the most important concepts of the Romantic



period - the imagination. In contrast to traditional accounts, John Whale locates the Romantic imagination within the period's lively and often antagonistic polemics on aesthetics and politics. In particular he focuses on the different versions of imagination produced within British writing in response to the cultural crises of the French Revolution and the ideology of utilitarianism. Through detailed analysis of key texts by Burke, Paine, Wollstonecraft, Bentham, Hazlitt, Cobbett and Coleridge, Imagination under Pressure seeks to restore the role of imagination as a more positive force within cultural critique. The book concludes with a chapter on the afterlife of the Coleridgean imagination in the work of John Stuart Mill and I. A. Richards. As a whole it represents a timely and inventive contribution to the ongoing redefinition of Romantic literary and political culture.