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Record Nr. |
UNINA9910449698303321 |
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Autore |
Samson Jim |
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Titolo |
Virtuosity and the musical work : the Transcendental studies of Liszt / / Jim Samson [[electronic resource]] |
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Pubbl/distr/stampa |
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Cambridge : , : Cambridge University Press, , 2003 |
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ISBN |
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1-107-13391-2 |
1-280-43417-1 |
0-511-17891-3 |
0-511-04253-1 |
0-511-14887-9 |
0-511-32374-3 |
0-511-48196-9 |
0-511-04570-0 |
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Descrizione fisica |
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1 online resource (viii, 240 pages) : digital, PDF file(s) |
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Disciplina |
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Soggetti |
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Music - 19th century - History and criticism |
Virtuosity in musical performance |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from publisher's bibliographic system (viewed on 05 Oct 2015). |
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Nota di bibliografia |
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Includes bibliographical references (p. 227-234) and index. |
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Nota di contenuto |
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1. Ecology by numbers -- 2. Of maps and materials -- 3. Composing the performance -- 4. Making and remaking -- 5. Forms and reforms -- 6. Suggestion and symbol -- 7. Mazeppa times 7. |
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Sommario/riassunto |
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This book is about three sets of etudes by Liszt: the Etude en douze exercices (1826), its reworking as Douzes grandes études (1837), and their reworking as Douzes études d'exécution transcendante (1851). At the same time it is a book about nineteenth-century instrumental music in general, in that the three works invite the exploration of features characteristic of the early Romantic era in music. These include: a composer-performer culture, the concept of virtuosity, the significance of recomposition, music and the poetic, and the consolidation of a musical work-concept. A central concern is to illuminate the relationship between the work-concept and a performance- and genre-orientated musical culture. At the same time |
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