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1. |
Record Nr. |
UNINA9910418055803321 |
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Autore |
Alexandre-Bergues Pascale |
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Titolo |
Maurrassisme et littérature. Volume IV : L’Action française. Culture, société, politique / / Michel Leymarie, Olivier Dard, Jeanyves Guérin |
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Pubbl/distr/stampa |
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Villeneuve d'Ascq, : Presses universitaires du Septentrion, 2019 |
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ISBN |
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Descrizione fisica |
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1 online resource (322 p.) |
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Altri autori (Persone) |
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BalaceFrancis |
DambreMarc |
DardOlivier |
El GammalJean |
GrosGuillaume |
GuérinJeanyves |
JolyLaurent |
LabouretDenis |
LeymarieMichel |
MajorelJérémie |
MassonPierre |
MedreaGeorgiana |
Merlin-KajmanHélène |
MotteMartin |
Sardinha DesvignesAna Isabel |
TouzotJean |
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Soggetti |
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History |
politique |
extrême droite |
Action française |
doctrine |
idéologie politique |
littérature |
nationalisme |
sphère littéraire |
droite |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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Les rapports entre nationalisme, littérature et plus généralement esthétique sont au cœur de ce volume, quatrième de la série « L’Action française. Culture, société, politique ». Comme son principal objet est la sphère littéraire, historiens, historiens ou théoriciens de la littérature ont été sollicités pour étudier revues, institutions et figures plus ou moins connues, favorables, réservées, voire hostiles au mouvement d’Action française. Quelle part la littérature - roman, théâtre, poésie - tient-elle chez les maurrassiens et quelle fonction lui assignent-ils ? Maurras, avant d’être un doctrinaire politique, a été critique et journaliste, et ces activités ont façonné sa manière et son style. Lui-même invite à revenir sur les rapports entre politique et littérature quand il évoque son itinéraire dans Quand les Français ne s’aimaient pas : « Les Lettres nous ont conduit à la Politique, […] notre nationalisme commença par être esthétique. » |
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2. |
Record Nr. |
UNINA9910787237903321 |
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Autore |
Wandor Michelene |
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Titolo |
The art of writing drama / / Michelene Wandor |
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Pubbl/distr/stampa |
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London, England : , : Methuen Drama, , 2008 |
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London, England : , : Bloomsbury Publishing, , 2020 |
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ISBN |
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1-4081-4133-7 |
1-4081-4132-9 |
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Descrizione fisica |
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1 online resource (196 p.) |
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Collana |
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Disciplina |
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Soggetti |
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Playwriting |
Drama - Technique |
Writing & editing guides |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references (pages 183-187). |
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Nota di contenuto |
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Drama-the apparently incomplete text -- The emergence of the dramatist and drama in education -- The performance text -- The text |
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from the other side: director and performer -- The novel and the drama -- Methods of teaching-the workshop -- The concepts in how-to books on dramatic writing -- Stage directions -- The compleat dramatist-preparing to write -- The text-dialogue and relationships -- Teaching and learning the art of writing drama -- The pedagogic process -- Subject matter, character and follow-up -- Culture and representation -- Conclusions. |
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Sommario/riassunto |
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"This book takes a radical approach to writing drama. Combining an understanding of theory with extensive experience of teaching dramatic writing, Michelene Wandor has written a succinct and scholarly history of approaches to the craft. She charts its pedagogy in relation to university Drama departments, Performance Studies and creative writing, and analyses how-to manuals of dramatic writing, deconstructing their underlying principles." |
"She argues for a radical rehabilitation of the dramatist at the centre of the text-producing process." "The book includes practical guidelines for classroom/workshop approaches to the pedagogy of dramatic writing. The Art of Writing Drama bridges the pedagogic and vocational, the academic and the professional. The book will be indispensable to academic courses, adult education classes, and anywhere the art of writing drama is taught."--Jacket. |
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